Quotes from Robin D.G. Kelley

Without new visions, we don't know what to build, only what to knock down. We not only end up confused, rudderless, and cynical, but we forget that making a revolution is not a series of clever maneuvers and tactics, but a process that can and must transform us

Too often, our standards for evaluating social movements pivot around whether or not they succeeded in realizing their visions rather than on the merits or power of the visions themselves. By such a measure, virtually every radical movement failed because the basic power relations they sought to change remained pretty much intact. And yet it is precisely these alternative visions and dreams that inspire new generations to struggle for change.

I could hear something so I realized, of course, what he was trying to tell me was first of all, don't be judgmental of anybody else, just listen and pay attention and look for the beauty. And then when you find the beauty, study that and don't bother with the rest of it.53

The lessons are clear: changing white hearts or training more cops won't do. To put out the fire this time requires dismantling the entire state and corporate machinery of violence.

Thelonious had been born into extreme poverty. His mother and grandmother spent their lives scrubbing floors for a living, and his father, Thelonious, Sr., cobbled together work as an unskilled day laborer in the railroad town of Rocky Mount. His grandfathers had lived a life of debt peonage, share-cropping for ex-slave masters and surviving pretty much from meal to meal.

Hawkins sought out the freshest, most original musicians, and had little patience for those who would quibble over the difference between "modern" or "progressive," "swing" or "bebop." "I don't think about music as being new, or modern, or anything of the type," he mused. "Music doesn't go seasonable to me."44

Thelonious Monk's music is essentially about freedom.

Thelonious suffered from bipolar disorder, the signs of which are evident as early as the 1940s. But by the early 1960s, just as he began to earn the fame and recognition that had eluded him for the first two decades of his career, various mental and physical ailments began to take an even greater toll, exacerbated by poor medical treatment, an unhealthy lifestyle, the daily stresses of a working jazz musician, and an unending financial and creative battle with the music industry.