Quotes from Benjamin Blech

What we deem insignificant may bear light to the whole world.

The Jew cannot accept the New Testament since it is the words of one man intended to undo what the Creator had shared with all of His children.

To allow a human being to drown because you are busy telling God how much you care about Him and His world is the ultimate hypocrisy.

Somewhat similar is another effect called anamorphosis. This is an amazing technique that makes an image literally "morph" into another shape or image when the viewer looks at it from a different angle. Only highly skilled artists who had also mastered

Good" and "bad" describe the subjective feelings we have toward semothing; the words "true" or "false" deal with reality, regardless of our feelings.

thought. Successionism means that one faith can replace a previous one that has ceased to function. In religious terms, it is comparable to what Darwin would later postulate in the theory of evolution: the dinosaurs were replaced by the Neanderthals who were in turn replaced by fully developed Homo sapiens.

The Vatican preached that because the Jews had killed Jesus and rejected his teachings they were punished with the loss of their Holy Temple and the city of Jerusalem, as well as their homeland. In addition, they were damned to wander the earth forever as a divine warning to anyone who might refuse to obey the Church. (It is important to note that this teaching was categorically rejected and forbidden by the Second Vatican Council in 1962.) Baccio Pontelli, on the other hand, was not

There is so much about the history of the Sistine that seems predestined. According to the more reliable sources, work began on renovating the chapel in 1475. In the very same year, in the Tuscan town of Caprese, Michelangelo Buonarroti was born.

The original ceiling illustrated a simple theme shared by many synagogues: a night sky, filled with golden stars. This scene is reminiscent of Jacob's dream while sleeping under the stars (Genesis 28:11–19) shortly after fleeing his father's house. It was then that Jacob had a vision of "a ladder with angels ascending and descending," and it was that spot that he named Beit-El, the House of God.

But last and least known is its additional purpose as a Kabbalistic meditational device that thus, in one more way, links it to ancient Jewish sources. Within it is a wide array of mystical symbols: spheres of the Tree of Life, the pathways of the soul, the four layers of the universe, and the triangles of Philo of Alexandria.

Neoplatonists also believed that the vast variety of human thought, if traced back to the One Source—what Leonardo da Vinci called the Prime Mover—would lead to spiritual enlightenment and ultimately to God. This and the mystical texts that Ficino was translating led him to attempt a fusion of all mystical beliefs, from Greek gnosticism to Egyptian hermeneutics to Christian cosmology—and to Jewish Kabbalah.

He hauled in Michelangelo, commanding the aged maestro to make the naked figures in The Last Judgment "suitable" for the papal chapel. Michelangelo hotly replied: "Let His Holiness make the world a more suitable place, and then the painting will follow suit." That was the last time Buonarroti had anything to do with Carafa.

Jeremiah was the godly messenger who warned the corrupt priests of the Holy Temple that their bronze and gold would be taken away and their Temple destroyed unless they cleaned up the corruption within. He is covering his mouth in the signum harpocraticum, a gesture signifying that a profound esoteric knowledge occupies his thoughts.

Michelangelo's genius was in allowing the viewer to see a great deal—in order not to show what is best left secret, except to the knowledgeable few. In other words, he put in so many trees that we cannot see the forest.

the Jewish high priests but to the custodians of any monotheistic faith, popes included, to maintain the purity of belief and of people in the face of challenges from materialistic and pagan cultures.

In a world without cable channels and satellite television, videos and DVDs, movies and the Internet, an artist's creation was the one ever-present object that had to serve as a source of pleasure and inspiration over and over again, year after year, without becoming stale.

If an artist of the caliber of Leonardo or Michelangelo was paid a hefty commission for a new private piece of art, that artwork had to be a constant delight and stimulus for the rest of the patron's life, and then usually go on to become a family heirloom. If an artwork was commissioned by the government, it had to serve as a permanent expression of that society's ethos and values.

Buonarroti was later given the job of designing the huge dome of the new Basilica of St. Peter. It is well known how much he loved the simplicity and perfection of ancient Roman architecture. His favorite building of all was the Pantheon, the central shrine to the Greek and Roman idols, built by Hadrian in the first half of the second century.

Michelangelo proposed to the pope that he make a large copy of the Pantheon dome on top of the new St. Peter's. The horrified pontiff replied that Hadrian's dome was pagan—the Vatican cathedral had to have a Christian-looking dome, like the one built in Florence a century before by Brunelleschi.

Conoscersi è il miglior modo per capirsi— capirsi è il solo modo per amarsi (To know each other is the best way to understand each other–—to understand each other is the only way to love each other.)

In his last years, Michelangelo worked on new pietà sculptures—not for any pope, but for his own diversion and probably for his own tomb. His eyesight had never recovered from his torment on the ceiling of the Sistine, and by this point in his life he was almost blind. He was sculpting more by feel than by sight—and yet he persevered, even trying new carving techniques right up until six days before his death.

The ambitious pope had already discussed the Sistine ceiling with Michelangelo in 1506, probably while they were together in Bologna. No doubt Julius, an art lover, had heard of the huge success of the twin cartoons for the city hall frescoes in Florence. It is very likely that his summons to Michelangelo was also a way for the jealous Roman pontiff to sabotage the Florentine fresco project. We do know that Michelangelo never went back to that job.

There was even a third person to deal with, as far as anything that took place in the Sistine Chapel. He was the official Inquisitor of Heresies, a fanatical Dominican friar named Giovanni Rafanelli, who had the right even to interrupt priests in the middle of their sermons if he found any of their statements not 100 percent in line with the Vatican.

The women, too, exhibit a high level of grace, intelligence, strength, and beauty.