Quotes from Lev Shestov

We very often express in a categorical form a judgment of which we do not feel assured, we even lay stress on its absolute validity. We want to see what opposition it will arouse, and this can be achieved only by stating our assumption not as a tentative suggestion, which no one will consider, but as an irrefutable, all-important truth. The greater the value of the assumption has for us, the more carefully do we conceal any suggestion of its improbability.

And many a time, towards the end of life, does the genius repent of his choice. "It would be better not to startle the world, but to live at one with it," says Ibsen in his last drama. Genius is a wretched, blind maniac, whose eccentricities are condoned because of what is got from him.

If he tells the truth, it is because the most reeking lie no longer intoxicates him, even though he swallow it not in the modest doses that idealism offers, but in immoderate quantities, thousand-gallon-barrel gulps. He would taste the bitterness, but it would not make his head turn, as it does Schiller's, or Dostoevsky's, or even Socrates', whose head, as we know, could stand any quantity of wine, but went spinning with the most commonplace lie.

More striking still, a broken man is generally deprived of everything except the ability to acknowledge and feel his position.

When man finds in himself a certain defect, of which he can by no means rid himself, there remains but to accept the so-called failing as a natural quality. The more grave and important the defect, the more urgent is the need to ennoble it.

Objectionable, tedious, irritating labour, - this is the condition of genius, which no doubt explains the reason why men so rarely achieve anything. Genius must submit to cultivate an ass within itself - the condition being so humiliating that man will seldom take up the job.

This Aristotle knew definitely: the truth has the power to force or constrain men, all men alike, whether it be the great Parmenides and the great Alexander or Parmenides' unknown slave and the least of Alexander's stable-men

A thread from everyone, and the naked will have a shirt." There is no beggar but has his thread of cotton, and he will not grudge it to a naked man - no, nor even to a fully dressed one; but will bestow it on the first comer. The poor, who want to forget their poverty, are very ready with their threads. Moreover, they prefer to give them to the rich, rather than to a fellow-tramp. To load the rich with benefits, must not one be very rich indeed? That is why fame is so easily got.

Count Tolstoy preached inaction. It seems he had no need. We "inact" remarkably. Idleness, just that idleness Tolstoy dreamed of, a free, conscious idling that despises labour, this is one of the chief characteristics of our time.

Pushkin could cry hot tears, and he who can weep can hope. "I want to live, so that I may think and suffer," he says; and it seems as if the word "to suffer," which is so beautiful in the poem, just fell in accidentally, because there was no better rhyme in Russian for "to die.

Although we had had no precise exponents of realism, yet after Pushkin it was impossible for a Russian writer to depart too far from actuality. Even those who did not know what to do with "real life" had to cope with it as best they could. Hence, in order that the picture of life should not prove too depressing, the writer must provide himself in due season with a philosophy.

Life would again have to make superhuman efforts, "as in a battle," to break open for himself a path through the truths created by the sciences which "dream of being but cannot see it in waking reality.

When a person is young he writes because it seems to him he has discovered a new almighty truth which he must make haste to impart to forlorn humankind. Later, becoming more modest, he begins to doubt his truths: and then he tries to convince himself. A few more years go by, and he knows he was mistaken all round, so there is no need to convince himself. Nevertheless he continues to write, because he is not fit for any other work, and to be accounted a superfluous person is so horrible.

Kada bi Darvin video u životu ono što je video Dostojevski, on ne bi govorio o zakonu samoodržanja nego o zakonu samouništenja.

If you turn to the right, you will marry, if to the left, you will be killed." A true philosopher never chooses the middle course; he needs no riches, he does not know what to do with money. But whether he turns to the right or to the left, nothing pleasant awaits him.

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Nu ne îndrept?m spre Dumnezeu decât pentru a ob?ine imposibilul.