Quotes from Gary Regan

Why do people choose to adulterate fine wines, beers, and spirits?

Why do people choose to adulterate fine wines, beers, and spirits? For variety's sake. It's the very spice of life.

It's important to understand that, back in the mid-sixties, there were few, if any, New York bars where single women felt comfortable—bars in New York were mainly beer joints for men. And so, all of those stewardesses and models back then simply partied at, well, house parties. Stillman was about to change all that when he opened a bar called TGI Fridays, which welcomed both men and women, thus creating the first singles' bar—one that felt like a cocktail party.

H]e cannot be drunken or dirty; the slightest dubiousness is quick to exile him to the police force, journalism, the oyster boats or some other Siberia of the broken.

Most people enjoy being put into the role of adviser, and often they will take care of the situation for you by departing with their friend. A phrase that has helped me on countless occasions is, "I need your help," and you might want to think about using it yourself next time you're trying to convince someone to act a certain way. Asking for help seems to disarm people, and the majority of folks become putty in your hand when you ask them for help.

As far as I was concerned, Sex on the Beach was a Highball comprising vodka, peach schnapps, orange juice, and cranberry juice. It's a fairly simple affair, and in its heyday it's possible that it was ordered more for its name than for the quality of the mixture. But I found recipes from bartenders nationwide who were using melon liqueur, raspberry liqueur, and even scotch in their rendition of this drink.

Mixed drinks of all kinds should glide down the throat easily, and since most cocktails have a spirit base, the addition of ingredients containing less or no alcohol is needed to cut the strength of the drink and make it more palatable. In most cases, the base spirit, be it gin, vodka, whiskey, or any other relatively high-proof distillate, makes up over 50 percent of the cocktail, and its soul must be soothed if the bartender wants to achieve balance.

T]he vast majority of drinks called for in any bar are simple Highballs such as Scotch and Soda, as well as Martinis, Manhattans, Margaritas, and other perennial favorites that are quite easy to master. Every bar also has its idiosyncratic cocktails, such as house specialties or weird potions peculiar to that one particular joint. Most bartenders will tell you that it's seldom necessary to know how to make more than a couple dozen drinks in any one bar.

Y]ou should know that certain garnishes are also ingredients. Lime and lemon wedges and any citrus twist (a strip of peel from limes, lemons, oranges, and the like) are the "ingredient garnishes.

The amount of ice needed to make any specific frozen drink is in direct relationship to the size of the serving glass, so if you're in doubt, simply build the drink in the glass and then pour the whole thing into the blender. You'll find that this results in a full glass with a slightly convex dome, which is visually appealing.

The second most important cocktail bitters, Peychaud's is an integral ingredient in the Sazerac cocktail and can be used as a substitute for Angostura in many drinks, especially such cocktails as the Manhattan. The resultant cocktail will not duplicate the same drink made with Angostura, but Peychaud's will add its own nuances and complexities.

One practice that faded from fashion about a hundred years ago is the custom of topping drinks, especially those made with crushed ice, with mounds of berries and small slices of other fruits, such as strawberries and bananas. In the days when these drinks were served at first-class bars, the customers were provided with short spoons with which to eat the fruit—it's a practice I'd love to see return to the barrooms of America.

Drinks included in the French-Italian family all contain vermouths, either sweet, dry, or both, or sometimes brand-named products, such as Lillet, an aperitif wine that's closely related to vermouth. The name of this family of drinks is derived from the fact that people used to call sweet vermouth "Italian" and dry vermouth "French," referring to their countries of origin (regardless of where specific bottlings were actually produced).

Bitters often come into play in French-Italian drinks, especially when whiskey or brandy is called for as a base, and the creative bartender should always bear that in mind when composing new formulas. By experimenting with Angostura, Peychaud's, orange, or any other flavor of bitters, you can change the character of the resultant cocktail quite dramatically.