Quotes from Leah Wilson

The whole problem with the world is that fools and fanatics are always so sure of themselves and wiser people so full of doubt.

your heart is a weapon the size of your fist. keep fighting. keep loving

the object was not to stay alive but to stay human.

like it or not, what we dress in is a direct reflection of who we are personally, socially, and historically.

a thing may happen and be a total lie; another thing may not happen and be truer then the truth

Suzanne Collins could have chosen to give us Coin as president, an example of a continuous pattern, mistakes just waiting to be made again. Instead she gives us a song. And children. And though "they play on a graveyard" (Mockingjay), the important thing is that they are free to play.

Next time you leave the house, think about who might be watching you. Do you pass a traffic camera? Do the shops you go to have security cameras? Is there a camera on board your train or bus? What about in your school? The cafes and restaurants where you eat? Street corners? Subways? And who is on the other side of that camera? A private security guard? The police? The government? How can you tell?

Katniss should have the most reasons to hate, having been sent into the arena not once, but twice. But despite everything she's been through, she's still capable of seeing the so-called "enemy" as individuals rather than as a monolithic entity. She remembers that Octavia snuck her a roll rather than see her hungry and that Flavius had to quit during the Quarter Quell because he couldn't stop crying.

Your heart is a weapon the size of your first. Keep fighting. Keep loving. More than bombs, fire, guns or arrows, love is the most powerful weapon in the Hunger Games. It stirs and feeds the rebellion. It saves the doomed. It destroys the bereaved. And it gives even the most devastated survivors a reason to go on.

Anyone who speaks Latin (gets egged by the populace for being a nerd) must have wondered from the start if Panem was a reference to the Roman people's reported liking for bread and circuses—for instant gratification that would distract them from the harsher realities of life.

And that was the Capitol's fatal mistake. Allowing Katniss to become, well, Katniss. Where was the hand of tyranny to crush this early uprising that consisted of a teen girl and her bow? Where was the electricity to keep her out of the woods? Where were the brutal Peacekeepers who should have beaten the spirit out of her?

But Gale? Gale is a warrior. He's a rebel. He's a badass. He's a knight.

What disturbs Katniss most is the psychology behind the weapons- that they are talking about placing booby-trapped explosives near food and water supplies and, even worse, creating two-stage devices that result in greater destruction of life by playing on that most human of emotions: compassion. The first bomb goes off, and then when rescue workers come in to aid the wounded and dying, a secondary device explodes.

The mockingjay trend holds a powerful message of political solidarity. The public tells Kat, "We're behind you. We believe in you. We're ready to follow, and continue what you started.

And of course, if there's one thing we feel we can take as truth in these books it's Katniss and her narrative. But we should ask ourselves whether even this should be above suspicion. Like all first-person narrators, Katniss is her own editor with her own biases: she chooses how to present herself and those around her. Katniss has a stake in the story she's telling and what that stake is changes how she portrays the events and her emotional reaction to them.

Katniss Everdeen can survive her darkness because she understands the same truth that's expressed in that graffiti in Palestine. Her heart is a weapon, and the way to keep fighting against all the horror and cruelty of the world is to wield that weapon. To keep loving.