Quotes from Legs McNeil

The old sound was alcoholic. The tradition was finally broken. The music is sex and drugs and happy. And happy is the joke the music understands best. Ultra sonic sounds on records to cause frontal lobotomies. Hey, don't be afraid. You'd better take drugs and learn to love PLASTIC. All diffrent kinds of plastic- pliable, rigid, colored, colorful, nonattached plastic. - Lou Reed (1965-1968)

I remember my favorite nights were just getting drunk and walking around outside the East Village kicking over garbage cans. Just the night. Just that it would be night again. And you could go out, you know? It just seemed glorious. (Please Kill Me.)

How can U say one style is better than another. You ought to be able to be an Abstract Expressionist next week, or a Pop artist, or a realist, without feeling you"ve given up something. ... I think that would be so great, to be able to change styles. And I think that's what's going to happen, that's going to be the whole new scene. - Andy Warhol, 1963

Penny Arcade said: At that time, the DRUG world and the ART world ran through each other. (1971 - 1974)

Rispetto a quello che stava succedendo nel mondo reale, la decadenza sembrava un vezzo. Quindi il punk andava oltre la decadenza: il punk era l'apocalisse. Era l'annientamento. Non funzionava più niente, e allora tanto valeva passare direttamente all'Apocalisse.

The only thing that made the music different was that we were taking lyrics to places they had never been before. The thing that makes art interesting is when an artist has incredible pain or incredible rage. The New York bands were much more into their pain, while the English bands were much more into their rage. The Sex Pistols' songs were written out of anger, wheras Johnny was writing songs because he was brokenhearted over Sable...

So punk wasn't about decay, punk was about the apocalypse. Punk was about annihilation.

Everyone thought in the early days of punk, certainly once English punk got going, and even American punk, everyone thought it was a horrible right-wing Nazi thing—violent, racist, and against everything good in life.

Whatever I did—whether I was writing or playing—there was blood on the pages, there was blood on the strings, because anything less than that was just bullshit, and a waste of fucking time.

Hippies survived Nixon, but punk caved in to Ronald Reagan, know what I'm saying? Punk actually couldn't take a good challenge.

WILLIAM BURROUGHS: I always thought a punk was someone who took it up the ass.

Mass movements are always so unhip. That's what was great about punk. It was an antimovement, because there was knowledge there from the very beginning that with mass appeal comes all those tedious folks who need to be told what to think. Hip can never be a mass movement. And culturally, the gay liberation movement and all the rest of the movements were the beginning of political correctness, which was just fascism to us. Real fascism. More rules.

So there developed another kind, more of a lumpen hippie, who really came from an abused childhood—from parents that hated them, from parents that threw them out. Maybe they came from a religious family that would call them sluts or say, "You had an abortion, get out of here" or "I found birth control pills in your purse, get out of here, go away." And those kids fermented into a kind of hostile street person. Punk types.

It was a Midwesternized version of anarchy. Tear down the walls, get the government out of our lives, smoke lots of dope, have lots of sex, and make lots of noise.