Quotes from Tana French

I needed to go into that bare, with nothing from my own life on my body, the way woodcutters' children in fairy tales have to leave their protections behind to enter the enchanted castle; the way votaries in old religions used to go naked to their initiation rites.

It was your basic Irish summer day, irritatingly coy, all sun and skidding clouds and jackknifing breeze, ready at any second to make an effortless leap into bucketing rain or blazing sun or both.

All these private, parallel dimensions, underlying such an innocuous little estate; all these self-contained worlds layered onto the same space.

no matter how hard I try to stamp it down, part of me is picturing Sophie's guy cracking the password and coming up with both hands full of pics of Aislinn riding Cueball Lanigan, with Breslin counting cash in the background.

As I closed the door I caught a last glimpse of her through the round window, still sitting straight-backed and motionless with her hands folded in her lap: a queen in a fairy tale, left alone in her tower to mourn her lost, witch-stolen princess.

I looked at the back of Jessica's silky bent head and thought of those old stories where one twin is hurt and the other, miles away, feels the pain. I wondered if there had been a moment, during that giggly girls' night at Auntie Vera's, when she had made some small, unnoticed sound; if all the answers we wanted were locked away behind the strange dark gateways of her mind.

You can't take credit for what you do when your back is against the wall. That's nothing more than instinct, falling back on what you know best. I think I stayed because running seemed too strange and too complicated. All I knew was how to fall back, find a patch of solid ground, and then dig my heels in and fight to start over.

I had started trying—it for the first time, really—it to remember what had happened in that wood. I prodded tentatively around the edges of it, barely acknowledging even to myself what I was doing, like a kid picking at a scab but afraid to look.

Most people have no reason to know how memory can turn rogue and feral, becoming a force of its own and one to be reckoned with. Losing a chunk of your memory is a tricky thing, a deep-sea quake triggering shifts and upheavals too far distant from the epicenter to be easily predictable.

Frightened people are obedient–not just physically, but intellectually and emotionally.

We see this a lot, people desperate to keep talking because when they stop we will leave and they will be left alone with what has happened.

She was older, no longer the wicked limber girl with the stalled Vespa, but no less beautiful to me for that: whatever elliptical beauty Cassie possesses has always lain not in the vulnerable planes of color and texture but deeper, in the polished contours of her bones.

give my family an inch and they'll move into your house and start redecorating.

This has nothing to do with what anyone else in all the world would approve or forbid. This is all their own.

They always act like they're having an amazing time, they're louder and high-pitched, shoving each other and screaming with laughter at nothing. But Becca knows what they're like when they're happy, and that's not it. Their faces on the way home afterwards look older and strained, smeared with the scraps of leftover expressions that were pressed on too hard and won't lift away.

The front door opened smoothly to my key, the air inside stirred as I came in and it didn't feel over-intimate anymore; it felt like a slight smile and a cool brief touch on the cheek, like a welcome.

And some go the other way, the most lethal way of all: when the pressure gets to be too much, it's not their nerve that breaks, it's their fear. They lose the capacity to be afraid, even when they should be. These can't ever go home again. They're like those First World War airmen, the finest ones, shining in their recklessness and invincible, who got home and found that home had no place for what they were. Some people are undercovers all the way to the bone; the job has taken them whole.

You start admiring someone who's famous for actually doing something---imagine that---and I swear to you I will buy you every item in her entire wardrobe. But over my own dead body will I spend my own time and money turning you into a clone of some brain-dead waste of skin who thinks the pinnacle of achievement is selling her wedding shots to a magazine.

He hated the way every drug in its different way scooped the solidity right out of the world and left it quicksand-textured, cracked across and wavering at the edges. They did the same thing to people: people on drugs stopped being what you knew them to be.

Trey says, with absolute bedrock certainty, "He wouldn't do that." Cal reached the point a long time ago where those words make him tired for all of humanity. All the innocents say that, and believe it tot he bone, right p until the moment when they can't any more. My husband would never do that to our children, my baby ain't no thief. Cal feels like he ought to stand on a street corner handing out warnings, little pieces of paper that just say: Anyone could do anything.

The band was no Led Zeppelin, but they had smart lyrics, a great drummer and that reckless shine that bands did have, back then, when no one had anything to lose and the fact that you didn't have a snowball's chance in hell of making it big didn't matter, because throwing your whole heart into this band was the only thing that stopped you being just another futureless dole bunny moping in his bedsit. It gave them something: a drop of magic.

These three children own the summer. They know the wood as surely as they know the microlandscapes of their own grazed knees;put them down blindfolded in any dell or clearing and they could find their way out without putting a foot wrong.

There's optimistic, and then there's plain crazy.

You'll light your own bloody self on fire if you have to. And then you can pat yourself on the back and tell yourself you knew it all along. Congratulations.