Quotes from John Updike

The artist brings something into the world that didn't exist before, and that he does it without destroying something else. A kind of refutation of the conservation of matter. That still seems to me its central magic, its core of joy.

A yawning repetitiveness as of a man who knows few words but will not stop talking.

The clangor of the body shop comes up softly. It's noise comforts him, tells him he is hidden and safe, that while he hides men are busy nailing the world down, and toward the disembodied sounds his heart makes in darkness a motion of love.

And there was, in those Ipswich years, for me at least, a raw educational component; though I used to score well in academic tests, I seemed to know very little of how the world worked and was truly grateful for instruction, whether it was how to stroke a backhand, mix a martini, use a wallpaper steamer, or do the Twist. My wife, too, seemed willing to learn. Old as we must have looked to our children, we were still taking lessons, in how to be grown-up.

The brontosaurus had thirty-ton body and a two-ounce brain. The anatosaurus had two thousand teeth. Triceratops had a helmet of filled bone seven feet long. Tyrannosaurus rex had tiny arms and teeth like six-inch razors and it was elected President. It ate everything—dead meat, living meat, old bones—

He wants to feel good, he always used to feel good at every turning of the year, every vacation or end of vacation, every new sheet on the calendar: but his adult life has proved to have no seasons, only changes of weather, and the older he gets, the less weather interests him. The house next to his old house still has the FOR SALE sign up. He tries his front door

If Rabbit knew a way to clone an adult sized vagina, Rabbit would clone it, have sex with it, then clone an arm to the side of that vagina so he could carry it with him everywhere he went like a big, fuzzy key chain.

We all dream, and we all stand aghast at the mouth of the caves of our deaths; and this is our way in. into the nether world

Do you think God wants a waterfall to be a tree?

Still, my fascination with Buchanan did not abate, nor was I able, as the Seventies set in, to move the novel forward through the constant pastiche and basic fakery of any fiction not fed by the springs of memory -- what Henry James calls (in a letter to Sarah Orne Jewett) the fatal cheapness [and] mere escamotage of the 'historic' novel.

You are still you. The U.S. is still the U.S., held together by credit cards and Indian names

All this saving a child does! At one point I even saved the box scores of an entire baseball season, both leagues, since Philadelphia played, haplessly, in both. How precious each scrap of the world appears, in our first years' experience of it! Slowly we realize that it is all disposable, including ourselves.

The faith in an afterlife, however much our reason ridicules it, very modestly extends our faith that each moment of our consciousness will be followed by another - that a coherent matrix has been prepared for this precious self of ours. The guarantee that our self enjoys an intended relation to the outer world is most, if not all, of what we ask from religion. God is the self projected onto reality by our natural and necessary optimism. He is the not-me personified.

The beast is dry and mottled, shedding skin as minutes drop from life, a wristy piece of dogged ugliness, its labors meant to carve from language beauty, that beauty which lifts free of flesh to find itself in print

In general the churches ... bore for me the same relation to God that billboards did to Coca-Cola: they promoted thirst without quenching it.

Nothing feels worse than other people's good times.

There always comes in September a parched brightness to the air that hits Rabbit two ways, smelling of apples and blackboard dust and marking the return to school and work in earnest, but then again reminding him he's suffered another promotion, taken another step up the stairs that has darkness at the head.

We dress our garden, eat our dinners, discuss the household with our wives, and these things make no impression, are forgotten next week; but in the solitude to which every man is always returning, he has a sanity and revelations, which in his passage into new worlds he will carry with him. Never mind the ridicule, never mind the defeat: up again, old heart!

Walking toward the light. None of us lives in the light; we can only walk toward it, with the eyes and legs God has given us.

He doesn't blame people for many sins, but he does hate uncoordination, the root of all evil, as he feels it, for without coordination there can be no order, no connecting.

The river, tonally, does not recede, presenting the same lifeless grey near and far, a depthless plane upon which Schmitt's dragging oars inscribe parallel lines and Eakins' oars, rising and falling, leave methodically spaced patches of disturbed water. The canvas is haunting - en evocation of the democracy's idyllic, isolating spaciousness, present even in the midst of a great Eastern city.

For supper Jill cooks a filet of sole, lemony, light, simmered in sunshine, skin flaky brown; Nelson gets a hamburger with wheatgerm sprinkled on it to remind him of a Nutburger. Wheatgerm, zucchini, water chestnuts, celery salt, Familia: these are some of the exotic items Jill's shopping brings into the house. Her cooking tastes to him of things he never had: candlelight, saltwater, health fads, wealth, class.

Actuality is a running impoverishment of possibility.

The dead teach this great lesson, which we are loathe to learn: we too will die.