Quotes from Freddie Wong

If you can't answer the question 'What is VR adding to that experience?' - and it should be more than just a gee-whiz thing - then that project shouldn't be in VR. You're not taking full advantage of your medium.

While it's easy to sit back and cherry pick bad visual effects and blame the industry for making movies the way they are, you're really not seeing the whole picture.

When we think about a great movie, I mean, what do we think about? We think about story, we think about character. And when the visual effects aren't perfect, we forgive it.

Great visual effects serve story and character and in doing so, are, by their very definition, invisible.

Visual effects have always been a part of this art form. And CG is simply a tool on the filmmaker's tool belt to tell a story, but when the end result is bad - maybe it's not the tool's fault.

I think if you make good, interesting content with compelling story lines and good characters, people will tune into the web for as long as you want them to.

I want to see more people push what it means to be a web show... because it's very difficult to make a living making those types of shows.

The consumer is the absolute king in everything you do.

I feel like we cheated... because you read about these other directors, just like, 'Damn! They paid dues for 10 years before they got to get behind the camera.' We cheated because technology was in the right place at the right time, and we were alive at the right age at the right time for us to take advantage of that.

We're able to push the envelope with what we're doing, both on a technical and artistic level, which is the most that any filmmaker can ask for.

We have an audience, the ability to fund our own projects, own our own projects, the ability to display our projects unencumbered by any middlemen. That's the perfect scenario.

Content financing is a difficult beast no matter what era of Hollywood we're talking about.

We founded RocketJump for two reasons: to provide quality entertainment and to reach as many different audiences as possible.

Everyone talks about, 'Get your foot in the door,' but I never understood that mentality. Why would I want to go in that house? Why not build my own house? Why not take a chair and smash a window?

Drift racing is expensive.

VR has a whole range of things it's very good at, and there's a lot of things that it's going to be deficient at.

It's rare to find a corporate partner who encourages true creativity, but our meetings with Lionsgate's creative team convinced us that this is the right move for RocketJump and our millions of fans.

At the end of the day, we still make the things that we make. And we found that the best strategy in this very fluid marketplace is to not be tied into any given platform, but to be able to make good content, and good content will be able to live anywhere.

I don't think any reasonable person would object to you, as the advertiser, having say in who and what you want to pair your ad with.

Straight-up digital delivery will be the way the future works.

We believe that the future for content-creators such as ourselves lies in being able to source project money from an audience and deliver on those projects in a timely and cost-effective manner.

The Asian male has an interesting history as far as Western appropriation. At one point, we were completely sexless Chinamen building the railroads. Then, World War II came around, and it was like, Asian guys are coming after the white women. We became a menace for a second.

The moment you've brought a toothbrush to work, then you're getting into crunch time.

You have to figure out some way of making money without relying on video ads or people paying to download.