Quotes from Riz Ahmed

I have always been restless, had a lot of energy.

No one's of Pakistani origin in any British show. That's why every actor of color is here working in the States. It's true.

Reshoots are par for the course on any film. For me, I kind of love it because, as an actor, you always feel that there was a way you could have done it differently. Being able to go back and do some stuff again is always a blessing in my eyes.

The multiculturalism of Britain is one of our greatest strengths in music, literature, and visual art, but the TV and film industry doesn't tap into the multicultural talent pool in the U.K. as much as they do in the U.S.

The camera or the microphone in the booth is merciless. If you don't believe what you're saying, it hears it. If you don't believe it, it sees it in your eyes, it hears it in your voice that there isn't the conviction there.

Nothing will turn you into more of a 'Star Wars' fan than being on a 'Star Wars' set. When you see how lovingly that world is rendered by the set designers, costume designers, props department, art department, they genuinely build an actual world. That is not an exaggeration. They build a world.

'Post 9/11 Blues' is an observational satire about the surreal circus of fear at that time. It's a generational thing.

I'm working it out, man. I'm working through some stuff, trying to find my way like everyone.

You know my parents, man, they're just the most loving, encouraging... They're like those people who define themselves through their role as parents before people in their own rights.

Sadly, I have disappointed the surveillance capitalists myself by not yet downloading 'Pokemon Go.' But I'm addicted to my phone enough as it is, and I don't necessarily need that helping hand.

Maybe I don't ever fully switch off, but I think the way I offset that is by splitting my time between film and music. I always want to challenge myself and grow, fail, self-flagellate, and then try again.

I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.

I think that with piracy and tighter funds being around, people are realising that the game to play is to try and win people's respect with bold film making and then win a special place in people's collections, rather than just having the biggest opening weekends.

My parents, man, they're just the most loving, encouraging... They're like those people who define themselves through their role as parents before people in their own rights.

My music is a very personal reflection of me, whereas, acting a role, that's a reflection of another character.

I'm an actor. Since I was a teenager, I have had to play different characters, negotiating the cultural expectations of a Pakistani family, Brit-Asian rudeboy culture, and a scholarship to private school. The fluidity of my own personal identity on any given day was further compounded by the changing labels assigned to Asians in general.

Hollywood is an image. We project these fantasies on to it, but people are just people.

I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.

Sometimes when you're inside a story, it's almost better if you don't think too much about its wider cultural significance or if you don't think about how audiences might react to it. That takes you out of the reality of the situation you're committing to as you're telling the story.

Anyone driving great social change, willingly or not, is going to be a fascinating contradictory mix of idealism and ego.

Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.

When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well.

The 'Bourne' films totally reimagined and elevated the action genre.

There's no black and white in this world; it's all grey. That's what people are like! No one think they're a baddie. Everyone thinks they're trying to do their bit to make the world a better place.