Quotes from Jhumpa Lahiri

Solitude demands a precise assessment of time, I've always understood this. It's like the money in your wallet: you have to know how much time you need to kill, how much to spend before dinner, what's left over before going to bed.

The cosmetics that had seemed superfluous were necessary now, not to improve her but to define her somehow.

Immersing herself in a third language, a third culture, had been her refuge—she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind. It was easier to turn her back on the two countries that could claim her in favor of one that had no claim whatsoever.

I don't know, he said, handing her the ticket. He'd been standing there all the while on the sidewalk, waiting for her. Waiting, until they were in the darkness of the theatre, to take her hand.

In their silence they continued both to protect me and to punish me. The memory of that night was now the only tie between us, eclipsing everything else.

And yet it felt like an invasion of the part of his body, the physical sense that was most precious: something that betrayed him and also refused to abandon him.

In a sense, I'm used to a kind of linguistic exile. My mother tongue, Bengali, is foreign in America. When you live in a country where your own language is considered foreign, you can feel a continuous sense of estrangement. You speak a secret, unknown language, lacking any correspondence to the environment. An absence that creates a distance within you.

Is there any place we're not moving through? Disoriented, lost, at sea, at odds, astray, adrift, bewildered, confused, uprooted, turned around. I'm related to these related terms. These words are my abode, my only foothold.

I think that translating is the most profound, most intimate way of reading. A translation is a wonderful, dynamic encounter between two languages, two texts, two writers. It entails a doubling, a renewal....It was a way of getting close to different languages, of feeling connected to writers very distant from me in space and time.

Plato says the purpose of philosophy is to teach us how to die.

The imperfection became a mark of distinction about their home. Something visitors noticed, the first family anecdote that was told.

Every language belongs to a specific place. It can migrate, it can spread. But usually it's tied to a geographical territory, a country. Italian

That night when I went to the bathroom I only pretended to brush my teeth, for I feared that I would somehow rinse the prayer out as well. I wet the brush and rearranged the tube of paste to prevent my parents from asking any questions, and feel asleep with sugar on my tongue.

Like pregnancy, being a foreigner, Ashima believes, is something that elicits the same curiosity of from strangers, the same combination of pity and respect.

When you live in a country where your own language is considered foreign, you can feel a continuous sense of estrangement. You

He felt the chill of her secrecy, numbing him, like a poison spreading quickly through his veins.

Lying in his parents' house, in the middle of the night, she told him the whole story, about meeting Dimitri on a bus, finding his resume in the bin. She confessed that Dimitri had gone with her to Palm Beach. One by one he stored the pieces of information in his mind, unwelcome, unforgivable. And for the first time in his life, another man's name upset Gogol more than his own.

Americans, in spite of their public declarations of affection, in spite of their miniskirts and bikinis, in spite of their hand-holding on the street and lying on top of each other on the Cambridge Common, prefer their privacy.

Odd things made him love her.

Without language you can't feel that you have a legitimate, respected presence. You are without a voice, without power.

She has the gift of accepting her life; as he comes to know her, he realizes that she has never wished she were anyone other than herself, raised in any other place, in any other way.

Unlike her parents, and her other relatives, her grandmother had not admonished Ashima not to eat beef or wear skirts or cut off her hair or forget her family the moment she landed in Boston. Her grandmother had not been fearful of such signs of betrayal; she was the only person to predict, rightly, that Ashima would never change.

Amid the gray, an incongruous band of daytime blue asserts itself. To the west, a pink sun already begins its descent. The effect is of three isolated aspects, distinct phases of the day. All of it, strewn across the horizon, is contained in his vision.

Human nature will not flourish, any more than a potato, if it be planted and replanted, for too long a series of generations, in the same worn-out soil. My children have had other birthplaces, and, so far as their fortunes may be within my control, shall strike their roots into unaccustomed earth. —NATHANIEL HAWTHORNE, "The Custom-House