Quotes from Margaret Atwood

His head is a little below mine, so that when he looks up at me it's at a juvenile angle. It must amuse him, this fake subservience. (...) The problem wasn't only the women, he says. The main problem was with the men. There was nothing for them any more. (...) That was part of it, the sex was too easy. Anyone could just buy it. There was nothing to work for, nothing to fight for. (...)

A woman like me is always a temptation, if possible to arrange it unobserved; as whatever we may say about it later, we will not be believed.

She's wearing her hair in a bun, like a ballerina's. Buns are so sexy. They used to be a treat to take apart: it was like opening a gift. Heads with the hair pulled back into buns are so elegant and confined, so maidenish; then the undoing, the dishevelment, the wildness of the freed hair, spilling down the shoulders, over the breasts, over the pillow. He enumerates in his head: Buns I have known.

I remember thinking when the girls were born, first one and then the other, that I should have had sons and not daughters. I didn't feel up to daughters, I didn't know how they worked. I must have been afraid of hating them. With sons I would have known what to do.

Why cry, you should be happy, you got out. But after all that's happened to me since that day, I understand why. You hold it in, whatever it is, until you can make it through the worst part. Then, once you're safe, you can cry all the tears you couldn't waste time crying before.

The floods, the fires, the tornadoes, the hurricanes, the droughts, the water shortages, the earthquakes. [...] Why did I think it would nonetheless be business as usual? Because we'd been hearing these things for so long, I suppose. You don't believe the sky is falling until a chunk of it falls on you

We do like to have such good opinions of our own motives when we're about to do something harmful, to someone else. But as Mr. Erskine also pointed out, Eros with his bow and arrows is not the only blind god. Justitia is the other one. Clumsy blind gods with edged weapons: Justicia totes a sword, which, coupled with her blindfold, is a pretty good recipe for cutting yourself.

Each twinge, each murmur of slight pain, ripples of sloughed-off matter, swellings and diminishings of tissue, the droolings of the flesh, these are signs, these are the things I need to know about. Each month I watch for blood, fearfully, for when it comes it means failure. I have failed once again to fulfill the expectations of others, which have become my own.

One must always keeps both sides in one's head; it's the only way to anticipate the moves of one's opponent

Last week they shot a woman, right about here. She was a Martha. She was fumbling in her robe, for her pass, and they thought she was hunting for a bomb. They thought she was a man in disguise. There have been such incidents. Rita and Cora knew the woman. I heard them talking about it, in the kitchen. Doing their job, said Cora. Keeping us safe.

Encyclopedia-selling was known to be the last resort of the feckless, the inept, and the desperate

at this distance you're a mirage, a glossy image fixed in the posture of the last time I saw you. Turn you over, there's a place for the address. Wish you were here.

Perhaps her mind is slipping, perhaps she's going off the tracks, perhaps she is coming unhinged. Unhinged, like a broken door, like a rammed gate, like a rusting strongbox. When you're unhinged, things make their way out of you that should be kept inside and other things get in that ought to be shut out. ~~Margaret Atwood

Sanity is a valuable possession; I hoard it the way people once hoarded money. I save it, so I will have enough, when the time comes. …

Having experienced both, I am not sure which is worse: intense feeling or the absence of it.

not the shore but an aquarium filled with exhausted water and warm seaweed

Unlikely a handgun any more because it was around that time that the CorpSeCorps was confiscating those, having raised the spurious banner of civic safety and thus effectively securing a monopoly for themselves on killing at a distance.

Around the age of seven I wrote a play. The protagonist was a giant; the theme was crime and punishment; the crime was lying, as befits a future novelist; the punishment was being squashed to death by the moon.  ...This play was not a raging success. As I recall, my brother and his pals came in and laughed at it, thus giving me an early experience of literary criticism.

As Saint Paul says, marry or burn.

Not me," said Jimmy, trying to joke. "I don't have a price." Wrong, as usual.

Opening up their sack, the children chorus, "Oh Snowman, what have we found?" They lift out the objects, hold them up as if offering them for sale: a hubcap, a piano key, a chunk of pale-green pop bottle smoothed by the ocean. A plastic BlyssPluss container, empty; a ChickieNobs Bucket O'Nubbins, ditto. A computer mouse, or the busted remains of one, with a long wiry tail.

Hang on to the words, he tells himself. The odd words, the old words, the rare ones. Valance. Norn. Serendipity. Pibroch. Lubricious. When they're gone out of his head, these words, they'll be gone, everywhere, forever. As if they had never been.

Watching the many faces watching their own faces as they pretended to be someone else—Felix found that strangely moving. For once in their lives, they loved themselves.

Back at home they drew the curtains and read, with disapproval, with relish, with avidity and glee - even the ones who'd never thought of opening a novel before. There's nothing like a shovelful of dirt to encourage literacy.