Quotes from Donna McKechnie

I thought if I didn't write my own show, I'll rust.

The two most painful things in my life are arthritis and divorce.

To go back to visit the early days with Bob Fosse and Gwen Verdon, when she was the dance captain of 'How to Succeed,' and finding them again 25 years later and working with them on 'Charity.' That was really great fun.

When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'

Bob Fosse and Gwen Verdon intimidated us all because she walked in and was going to be the dance captain. She was a great star, but she loved that kind of work as his assistant.

The whole cast of 'Company' was invited to Hal Prince's house. This is one of the highlights of my life. We all sat in the living room. Sitting on the floor, I was right by the piano.

Whenever I do my concerts, I try to do master classes or students.

I can be myself everywhere and be happy and confident and not feel that I am just what I do.

Frank Loesser was a beautiful soul. I didn't know how great he was when I met him, but I just adored him. He was a sweet man.

It takes a lifetime of devotion to build your craft, your confidence, and the ability to sing and dance and act believably.

I was terribly shy, but I was always in harmony when I was dancing.

Sound should bring you in. We have people in all these specialized departments to make it one whole. They are supposed to work together to bring us into their world, not push us away. For example, rock music has to be loud, but it doesn't have to be too loud.

Doing a musical is not just acting. It's total theater. When you have to justify the enormous projection of energy it takes to just go into song and dance, you realized why it's such a humbling experience every time you go into a show.

Thank God for YouTube. Every Thanksgiving, I'm bombarded with 'Turkey Lurkey Time.'

It's not the ideal situation to have two directors. It's just not the ideal thing.

When I saw 'Chess' in London, I thought it was horrible. It was so static. People were coming down front and just facing the audience, singing.

I have the oldest whiplash in the business.

'A Chorus Line' never dies; it just keeps opening doors and giving back to me - but there was a time when I considered it an albatross around my neck.