Quotes from Mark Fisher

What Public Enemy and Underground Resistance had in common was a rejection of the idea of music as entertainment.

Basic Instinct 2' is an uneasy experience because, although it is hyper-reflexive to the point where it is hard to think of one character, one scene, one plot twist that isn't a reference or an echo, there is nothing knowing about it. No matter how absurd the film gets, it refuses to raise its eyebrows.

Picnic at Hanging Rock' is the exemplary study of disapparition in cinema - I know of no other major film which deals with unexplained disappearance.

The arrival of 'Star Wars' signalled the full absorption of the former counterculture into a new mainstream.

Star Wars' was a sell-out from the start, and that is just about the only remarkable thing about this depressingly mediocre franchise.

In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.

The reality of nostalgia is nowhere better invoked than at the end of Tarkovsky's 'Solaris.' When the camera pans away from Kelvin embracing his father on the rain-soaked steps of his dacha, we realise that the scene is yet another of the simulations produced by the inscrutable planet.

Noir' has been talked about a great deal in the discussion of 'The Black Dahlia,' but De Palma's palllete couldn't be less monochrome; it's the very definition of garish.

Sinatra's melancholy was the melancholy of mass (old) media technology - the 'extimacy' of the records facilitated by the phonograph and the microphone, and expressing a peculiarly cosmopolitan and urban sadness.

The first 'Red Dawn' was made at a time when Hollywood didn't stint in its use of Russian stereotypes. Cold war capitalist ideology construed the Soviets as different for two reasons - not only did they belong to another political-economic system, they didn't seem to possess the same emotions that 'we' do.

Now that we are used to globalisation it's hard to imagine a time when the countries behind the iron curtain were largely obscured from the western gaze. The Soviet bloc was a genuine mystery. Such was the dehumanisation of the Soviets that Sting could wonder in song if 'the Russians love their children too.'

There is no right to not be offended, nor should there be.

If, as is certainly the case, capitalism cannot do without nationality, that is precisely why accelerating and intensifying the deterritorializing, de-ethnicizing and anti-national impulses within (but inhibited by) capitalism constitutes an anti-capitalist strategy.

What needs to be kept in mind is both that capitalism is a hyper-abstract impersonal structure and that it would be nothing without our co-operation.

The 21st century is oppressed by a crushing sense of finitude and exhaustion.

The discussion of 'V for Vendetta' - on Pinocchio Theory in particular - has been far more interesting than the film deserved. Yes, there is a certain frission in seeing a major Hollywood movie refusing to unequivocally condemn terrorism, but the political analysis in the film (as in the original comic) is really rather threadbare.

Like all of Moore's work, 'V for Vendetta' is considerably less than the sum of its parts.

In particularly acute cases of depression, it is recognized that no verbal or therapeutic intervention will reach the patient. The only effective remedy is to do things, even though the patient will, at that time, believe that any act is pointless and meaningless.

I have taught Philosophy, Religious Studies, English Literature, Cultural Studies, Writing and Publishing Studies, Critical Thinking.

Capitalism does not require us to hold a particular set of cognitive beliefs; it only requires that we act as if certain beliefs (about money, commodities etc) are true. The rituals are the beliefs, beliefs which, at the level of subjective self-description, may well be disavowed.

Identitarianism assumes that people are condemned to identify with the positive (ethnic/ gender/ nationalistic) predicates they possess, as if their subjectivity were exhausted by those properties. Exactly the opposite is the case: the authentic dimension of subjectivity consists not in any positive identity but in that which makes identifications.

Some IMDB viewers complain that 'Beloved' should have been reclassifed as Horror... well, so should American history.

Much of reality TV has been like the worst nightmares of Theodor Adorno and Jean Baudrillard come true, its seductive allure turning us into gossips in the global village.