Quotes from Cynthia Ozick

I don't agree with the sentiment 'write what you know.'... I think one should write what one doesn't know. The world is bigger and wider and more complex than our small subjective selves. One should prod, goad the imagination.

I think that fanaticism is terrific. As long as you don't have to live with it. Oh, yes, nobody should marry a writer.

I measure my life in sentences pressed out, line by line, like the lustrous ooze on the underside of the snail, the snail's secret open seam, its wound, leaking attar.

Hebrew in America has a bemusing past. The Puritans, out of scriptural piety, once dreamed of establishing Hebrew as the national language.

Life is that which - pressingly, persistently, unfailingly, imperially - interrupts.

To desire to be what one can be is purpose in life. There are no exterior forces. There are only interior forces. Who squanders talent praises death.

In real life wishing, divorced from willing, is sterile and begets nothing.

An essay is a thing of the imagination. If there is information in an essay, it is by-the-by, and if there is an opinion, one need not trust it for the long run. A genuine essay rarely has an educational, polemical, or sociopolitical use; it is the movement of a free mind at play.

In an essay, you have the outcome in your pocket before you set out on your journey, and very rarely do you make an intellectual or psychological discovery. But when you write fiction, you don't know where you are going - sometimes down to the last paragraph - and that is the pleasure of it.

Two things remain irretrievable: time and a first impression.

Time heals all things but one: Time.

Time at length becomes justice.

In 1952, I had gone to England on a literary pilgrimage, but what I also saw, even at that distance from the blitz, were bombed-out ruins and an enervated society, while the continent was still, psychologically, in the grip of its recent atrocities.

I think most of my life I have not felt recognized.

I'm a fiction writer, and I do write essays, but I am not a poet. And I absolutely reject the phrase 'woman writer' as anti-feminist. I wrote an essay about this as far back as 1977, at the height of the neo-feminist movement.

People often ask how I can reject the phrase 'woman writer' and not reject the phrase 'Jewish writer' - a preposterous question. 'Jewish' is a category of civilization, culture, and intellect, and 'woman' is a category of anatomy and physiology.

A novel can be set in motion by an incident, a character, a location, a mood - by anything at all. Sometimes the stimulus can be an idea, which will rapidly clothe itself in character and incident. 'Foreign Bodies' came about through the contemplation of the contrast between post-second world war America and Europe.

An article can be timely, topical, engaged in the issues and personalities of the moment; it is likely to be stale within the month. In five years, it may have acquired the quaint aura of a rotary phone. An article is usually Siamese-twinned to its date of birth.

To be a Jew is an act of the strenuous mind as it stands before the fakeries and lying seductions of the world, saying no and no again as they parade by in all their allure. And to be a writer is to plunge into the parade and become one of the delirious marchers.

Traveling is seeing; it is the implicit that we travel by.

Nothing is so awesomely unfamiliar as the familiar that discloses itself at the end of a journey. Nothing shakes the heart so much as meeting-far, far away-what you last met at home.

I never conceived of not writing a novel. I believed - oh, God, I believed, it was an article of faith! - I was born to write a novel.

The novel at its nineteenth-century pinnacle was a Judaized novel: George Eliot and Dickens and Tolstoy were all touched by the Jewish covenant: they wrote of conduct and of the consequences of conduct: they were concerned with a society of will and commandment.

The novelist's intuition for the sacred differs from the translator's interrogation of the sacred.