Quotes from Norbert Leo Butz

Sam Shepard is - I didn't tell this to Sammy, but if I had to point to one artist that made me want to do this for my life, it's Sam Shepard.

I've sort of left the theater just for little shoots here and there - little one-off series or small roles in films or whatever.

Sometimes, you don't know what's going to happen to your character until the night before you shoot the scene. So, sometimes, you get a great big surprise at the very last minute, which is scary sometimes. You don't have a whole lot of time to prepare.

Something about being surrounded by water has a really calming effect on me.

I got my Actors' Equity card officially by playing Nana the dog in 'Peter Pan' at the Alabama Shakespeare Festival. That was the first show I did as a full-fledged, dues-paying member; I earned points in my MFA program, then went into the company after I graduated.

I survived in high school by working at Kentucky Fried Chicken and made my way up to assistant manager. I was surviving high school and college with that job.

I've been swimming recreationally about five times a week for years just at the Y.

I used to do a lot of repertory theater. You're playing different roles all the time, and I love that.

I'm a pretty avid reader, but I missed feminism in college. I did take an intro course where I read Mary Wollstonecraft, but I didn't read a lot of the seminal writers. Then I had two teenage daughters and was reading books on development and different issues.

I was in the original cast of 'Wicked', and that got a bad review in 'The New York Times,' and it's the most successful thing that's ever been put onstage.

I've never seen 'Mad Men.' I've never seen 'Breaking Bad.' I've never seen 'The Sopranos.' These sort of seminal shows.

I make decisions quickly.

I actually have seven brothers in real life, and we're all very close in age. We basically go no more than two years between any of us.

It's thrilling to be onstage and to not know, literally, what the next moment is going to bring. To just submit to the not-knowing-ness of it.

I have an acting crush on Gene Hackman; I have an acting crush on Tommy Lee Jones. Gary Cooper. Jimmy Cagney. Michael Gambon. Simon Russell Beale.

Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.

I have 10 brothers and sisters.

In the play we have the messy he-loves-her, she-loves-him, she-loves-him-too structure, and, to add even more confusion to the mix, the real love story is between the two ladies.

I don't know if Jesus said it in the Bible, but someone said that 'the love of money is the root of all evil,' and I do think there's a correlation between the ambition that a lot of people have, in terms of financial remuneration, and the loss of core values.

I am the most successful unsuccessful actor in New York. And I guess with that, maybe apparent only to myself, there started to be a very subtle but unmistakable whiff of entitlement, bitterness, jealousy. I was not respecting the work.

I always loved soul music. My dad was a very religious guy, and we would listen to a lot of gospel and soul music. My college girlfriend introduced me to musicals. She listened to them, so that was the first time I heard 'Dream Girls.'

I remember really getting into 'The Wiz' and an old musical called 'Purlie,' which Melba Moore sang. I liked those roof-raising shows because I connected deeply with the gospel aspects of those musicals.

I have never been too concerned about things you're supposed to be concerned about as a singer. Pitch is important, and so is sounding good. But I think there's something underneath all that.

If you individualize an audience, it helps up the stakes of your responsibility to that audience.