Quotes from Graham Moore

Everyone remembers the pop-quiz hotshot bit from 'Speed' because it's extremely funny, and it's really smart and really witty. And the notion that action movies can have dialogue that pops just as well as the explosions is something that I hope more people continue to remember.

Depression is internal. The upswings and downswings have pretty much nothing to do with what's going on in the external world. It's not like something sad happens to you and then you feel sad. Good things happen, but you feel sad anyway.

When I first starting writing, and no one was paying me, in order to feel like I had a real job, I would get out of bed, put on a jacket and tie every morning, and sit down at my desk.

I'm always much more interested in flawed heroes than in perfect ones.

We always knew that we didn't want to show Alan Turing in the act of suicide - it was our feeling that would tip over into melodrama too quickly and seem over-the-top.

I love the filmmaking process. It can be loud sometimes, and people love having conference calls, so working on a book is the polar opposite. It's very relaxing.

In my experience, depression was not something that has been cured so much as managed, like a lot of illnesses.

I started a novel right before 'The Imitation Game,' so it's funny now, four years later, to be coming almost back to finishing it.

I like historical things; I like researching things.

One thing that I always loved about, say, 'Raiders of the Lost Ark', is that Indiana Jones gets the Ark of the Covenant about sixty percent of the way through the movie. And then the rest of it is get-out-alive. To me, that's really cool. Because he's the one you care about at the end of the day.

Among tech-minded kids, I think Alan Turing was a tremendous inspiration. He was a guy that was so different than the people around him. He was an outsider in his own time, but because he was an outsider is precisely why he was able to accomplish things nobody thought was possible.

One of the tricky things about sort of larger, comic-book action movies is that the scale is so big that they have to save the world at the end of every movie, and so at the end of each of the films, either Chicago or New York end up getting obliterated.

Over the years, I would go to my agents, my manager, and I would say, 'Hey, there's this amazing true story about this gay English mathematician who committed suicide in the 1950s.' And they would be like, 'Please don't ever write that script. That is an unmakeable film.'

I feel very Midwestern at my core.

Turing was always a legend among computer/geeky kids. He was such an outsider in his own time, and because of that, he was able to see things differently. It was a story that had been well told in books, onstage and on TV, but never on film.

When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.

The enduring appeal of mystery stories for all of us is that the world is a pretty confusing place. There's a lot of really unanswered things, and perhaps the scariest notion would be that there might not always be answers out there for us.

Britain in 1939 and 1940 really thought they were going to lose the war. It looked like they were going to lose. There was bombing every day, and people were literally starving.

I'm not gay, but I don't think you have to be gay to have a gay hero. Growing up, Alan Turing was certainly mine. I'm also not the greatest mathematician of my generation. We have lots of biographical differences, but nonetheless, I always identified with him so much.

Alan Turing, to me, always felt like an outsider's outsider.

Telling Alan Turing's story in a two-hour film was a tremendous challenge. It felt in some small way like our filmmaking version of breaking the enigma code.

I felt like Alan Turing's story was such an important story to tell, and it was so wonderful to write the script and other people find it and say, 'I never heard this story.' It's such an amazing story that people don't believe it.