Quotes from Julie Plec

I had a moment where I wrote a movie script, and it was my first movie job, and I was very excited to do it, and my only goal was really not to get fired off of it.

I learned that getting a movie made in Hollywood is a near impossibility, and the process can be a wild adventure. TV is a lot more consistently productive - no offense to the beautiful world of feature film.

'Scream' was the first thing he'd ever written that had gotten made, and I'd been in Hollywood for less than two years.

The problem with ratings is that you can give yourself a million reasons why they are what they are.

I realized that I get pleasure when I'm told, 'Don't listen to the haters; they're losers in their moms' basements.' I imagine these 'losers' and feel better about myself. Their insults hurt less if I label them 'pathetic.' I diminish their value in order to protect mine. I noticed that I'm quick to make a joke at someone else's expense.

Hollywood, Twitter, our friends - they all contribute to a community of snark. The more we engage in the way that everyone else engages, the more followers, likes, and RTs we get. But we can't rail against the cyberbullies without acknowledging what we also contribute to a culture of cruelty.

I think Joss Whedon is a genius.

If you write a good line, you write a good line, and the best line wins in television. It doesn't matter if you're the guy who gets the coffee or if you're the showrunner - best line wins. That's the beauty of television collaboration.

I think that when you're exploring themes of humanity and what defines a hero and what makes us our best self and what makes us our worst self, you're going to stumble into territories of societal issues and that kind of thing. Sometimes you have accidents where you're not trying, but then the opportunity just presents itself. and you lean into it.

I love real women that don't have to be saints, who can be selfish and act out against their parents or like the wrong guy, because that's life. That's my life, at least.

The funny thing about the entertainment business is that we all feel like kids playing in a candy store, but we are entrusted with millions and millions and millions of dollars and an entire industry that can thrive or die on whether or not we do our jobs well or not.

'The Reckoning' is one of my proudest hours. I love that episode so much.

I learned more about who I am and how to be a great worker - and a great artistic worker - from doing student theater. I was a stage manager. I was an assistant stage manager. I was on the running crew. I did probably 25 shows at Northwestern - all musicals, of course.

Every night, I will write until I'm done. Until my eyes are burning and tearing, and I can't see the computer screen anymore, till I finish the script, till I get to the point where I'm happy stopping, till I get everything off my plate, because I hate going to bed with a full plate. It makes me very neurotic.

There are a lot of things you do in a supernatural universe that can toe the line and cross the line.

If the day-to-day culture is saying it's OK to not be inclusive or tolerant, that it's OK to be bigoted, then it's your responsibility to double down and make it OK in storytelling to be inclusive and tolerant.

In a non-supernatural universe, there's just character, and it's humanity and human beings and how they relate to each other.

'Ghost World' was such an incredibly difficult episode to find the right tone for. I remember at the time it was very divisive because some people hated it - they thought it was cheesy and hokey - and I loved it. When I saw it, I cried my head off, and I was so happy.

The one thing that always drove me crazy, especially on soaps, was when someone would have something they were hiding, and then six months later, they were still holding onto that secret, and the world has come to a complete, total end as a result of it. If they'd only just confessed!

I don't pray. I'm not a deeply religious person.

TV writing - for me, at least - is half original voice and half an embodiment and a representation of the spirit of the actors you're writing for.

What's funny is, I was always certain that I couldn't be a director because there are things about the physics of camera and lighting that I fundamentally cannot wrap my head around.

I talk all the time about how much I read growing up and how much I love Stephen King and how he impacted my work from a genre perspective, but Pat Conroy wrote some of the most magnificent stories about characters who had to deal with dysfunctional families and try to find a place of honor in their own world and the pain of loss.

I remember, my freshman year of college, sitting in my TV room at the end of my dorm hallway with one other girl watching the premiere of 'Beverly Hills, 90210.' And then, a year later, walking into a room packed with college students watching '90210,' and I thought, 'I wonder what it must be like to be part of a phenomenon like that.'