Quotes from Annie Dillard

Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.

Geography is the key, the crucial accident of birth. A piece of protein could be a snail, a sea lion, or a systems analyst, but it had to start somewhere. This is not science; it is merely metaphor. And the landscape in which the protein starts shapes its end as surely as bowls shape water.

We are here to abet creation and to witness it, to notice each thing so each thing gets noticed. Together we notice not only each mountain shadow and each stone on the beach but we notice each other's beautiful face and complex nature so that creation need not play to an empty house.

There are 1,198,500,000 people alive now in China. To get a feel for what that means, simply take yourself - in all your singularity, importance, complexity, and love - and multiply by 1,198,500,000. See? Nothing to it.

The universe that suckled us is a monster that does not care if we live or die--it does not care if it itself grinds to a halt. It is a beast running on chance and death, careening from nowhere to nowhere. It is fixed and blind, a robot programmed to kill. We are free and seeing; we can only try to outwit it at every turn to save our lives.

Noticing and remembering everything would trap bright scenes to light and fill the blank and darkening past which was already piling up behind me. The growing size of that blank and ever-darkening past frightened me; it loomed beside me like a hole in the air and battened on scraps of my life I failed to claim. If one day I forgot to notice my life, and be damned grateful for it, the blank cave would suck me up entire.

There is a muscular energy in sunlight corresponding to the spiritual energy of wind.

When the candle is burning, who looks at the wick? When the candle is out, who needs it? But the world without light is wasteland and chaos, and a life without sacrifice is abomination.

Skin was earth; it was soil. I could see, even on my own skin, the joined trapezoids of dust specks God had wetted and stuck with his spit the morning he made Adam from dirt. Now, all these generations later, we people could still see on our skin the inherited prints of the dust specks of Eden.

Could two live that way? Could two live under the wild rose, and explore by the pond, so that the smooth mind of each is as everywhere present to the other, and as received and as unchallenged, as falling snow?

Theirs is the mystery of continuous creation and all that providence implies: the uncertainty of vision, the horror of the fixed, the dissolution of the present, the intricacy of beauty, the pressure of fecundity, the elusiveness of the free, and the flawed nature of perfection.

I center down - I retreat, not inside myself, but outside myself. ... Self-forgetfulness is tremendously invigorating. I wonder if we don't waste most of our energy just by spending every waking minute saying hello to ourselves.

What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.

If I did not know about God and sin, would I go to hell? No, said the priest, not if you did not know. Then why, asked the Eskimo earnestly, did you tell me?

We are here to witness. There is nothing else to do with those mute materials we do not need. Until Larry teaches his stone to talk, until God changes his mind, or until the pagan gods slip back to their hilltop groves, all we can do with the whole inhuman array is watch it.

The creatures I seek do not want to be seen.

Love so sprang at her, she honestly thought no one had ever looked into it. Where was it in literature? Someone would have written something. She must not have recognized it. Time to read everything again.

There is something you find interesting, for a reason hard to explain. It is hard to explain because you have never read it on any page; there you begin.

The sea pronounces something, over and over, in a hoarse whisper; I cannot quite make it out.

Beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.

A writer looking for subjects inquires not after what he loves best, but after what he alone loves at all.

The point of going somewhere like the Napo River in Ecuador is not to see the most spectacular anything. It is simply to see what is there.

The soul may ask God for anything, and never fail.

I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feeling save a secret astonishment that you are now strangers. Thanks. For the memories.