Quotes from William T. Vollmann

I go through all of my old notebooks, and I put an X on every page when everything has been entered into the computer, and sometimes that takes 15 years. But eventually the notebooks are full of X's, and they're no good to me anymore.

I first got really interested in Noh in about 1977. There was an independent bookstore in Bloomington, Indiana where I was going to high school. It was a really nice place. There was a New Directions paperback. It was the Pound/Fenollosa book, 'The Classic Noh Theatre of Japan.'

My father grew up in an era when to be an American - a white American, at least - was to be yourself. In some respects, his generation was more ignorant, complacent, self-centered and parochial than mine.

I didn't vote for Bush, and I'm not happy particularly that he's president. But I will say I'm impressed that he didn't start bombing Afghanistan the day after Sept. 11. The more time that passes without him bombing Afghanistan, the more I respect him.

So far, I've never missed a deadline for a term paper, a review, a manuscript. I perform the mumbo-jumbo of voting with belief in my heart, I've not yet won even a jaywalking ticket, and unlike my father, whom I fault in this respect, I refrain from opting out of jury duty; instead, they mostly kick me out.

I think that we're all, as human beings, so limited. If we want to write about ourselves, that's fairly easy. And if we write about our friends or our families, we can do that. But if we want to project ourselves somewhere beyond our personal experience, we're going to fail unless we get that experience or we borrow it from others.

Not only am I physically and emotionally attracted to women, I also wonder what being a woman would be like.

If I'm writing a book, and I'm warned, 'Oh, this is unsaleable, you need to make it shorter,' or, 'It has to be this, or that,' I'm proud to say I don't pay attention.

It's always, you know, a pleasant exercise to imagine my own death because then I'm so happy when I can stop.

I think most of us who live into our 50s have had a few experiences with death. You know, we see people we know start to die. We realize it's getting closer and closer for us.

When I was writing the first few books, what I would do is write a bunch of sentences and then go back and expand and explode those sentences, pack as much into them as I could, so they'd kind of be like popcorn kernels popping... all this stuff in there to make the writing dense, and beautiful for its density.

Really what it gets down to is that my idea of the American life, the American dream, whatever, is that I can do what I wish in the privacy of my own home. And as long as I'm not hurting anyone, no one has a right to know what I do. The main thing that I have to hide is that I don't have anything to hide.

I'm still a marginal figure living from book to book, but, as long as I'm producing labour as a good Marxist prole, I guess I'm satisfied.

Maybe life is a process of trading hopes for memories.

I've always felt I want to be of service to the world somehow. I haven't yet figured out how to do it, and I may never figure out how to do it.

Whenever I travel to a poor country, I try to help at least one person. Usually, that person helps me just as much - I can find a local poor person to be my guide or my interpreter. That person makes money from me, I make money from him or her, we both learn about each other. It's an equal win-win relationship.

After college, I went to San Francisco and worked as a secretary in a reinsurance company. That was a pretty dismal job. It was a real small place. Guys would come in, and they'd sort of stick out their arms like wings so I could take their coats off. They'd tell me, 'Two,' and I'd put two lumps of sugar in their coffee.

I don't believe in a personal god. It's good to give thanks, whether or not there's a god. There's no reason not to live life to the fullest. Morality is all the more important for people who don't expect to get a piece of celestial candy after they die.

I read and write for most of the day, but I do let myself be interrupted by real life. I enjoy going out with friends and try not to take myself too seriously.

There will come a time when nobody reads my books and no one remembers who I was. And in the meantime, I'll do it my way.

Americans worry that Afghanistan has become a petri dish in which the germs of Islamic fanaticism are replicating - soon Afghans will be hijacking American planes and bombing embassies everywhere. And their fears are not necessarily unfounded. The Taliban are unemployed war veterans, ready and even eager to return to the battlefield.

My father hates organized religion, probably because he hates the God who killed his little girl back in 1968. I find religions variously bemusing.

There have been times when I'm writing about things that are personally embarrassing. Like any human being, sometimes I can't help but wonder - 'What are the people I know going to think about this?' So I have to remind myself that all is permissible. Art has to be a free space. Language has to be a free space.

It's fun for me to try to write concise, compact things. It's a very good exercise for me. And I think it's important to try to do different things - change what I write about, and also the way I write. Otherwise, I'd just be repeating myself, which wouldn't be good for me or fair to my readers.