Quotes from Jane Lindskold

The sad thing is that, for many writers of fantasy fiction, the inclusion of magic seems to mean that logical ramifications and real-world laws both go out the window.

'Thirteen Orphans' is the name of a specific limit hand. The same combination is also called 'Thirteen Improbable.' Once I'd decided I wanted to write a tale where mah-jong would be at the heart, I also knew I wanted to use limit hands.

Copy editors are very important and too rarely praised.

Words build a bridge between the imaginations of writer and reader, creating something unique between them.

I love print fiction, but sometimes when I'm reading a good graphic novel or manga, I find myself envying those who work in an illustrated format.

Coincidence is a recognized element in 'real life.' All of us have anecdotes about those times when, by the merest coincidence, we avoided some disaster or stumbled onto some wonderful experience.

I realize that, to many readers, Hard Fantasy may seem to be a contradiction in terms. Fantasy, according to most generally recognized definitions, differs from both 'real world' fiction and 'science fiction' in that magic or magical creatures are active elements.

The futuristic city on 'Legends Walking's cover rejects any connection with the contemporary setting of 'Changer.' It was as if every effort was made to keep readers of 'Changer' from finding this stand-alone sequel.

My first five novels were written longhand. So were hosts of short stories.

The only thing I like about air travel is it gives me time to read.

To be a writer, you need to like spending a lot of time by yourself in the company of imaginary people.

One of the ironies of being a professional writer is that, if you are even moderately successful, the very traits that let you succeed as a writer are not much help when the time comes to head out as 'The Author.'

There are other types of public appearances a writer does in addition to book signings and readings. Each calls for different skills. None of these skills, needless to say, are those that go into writing books.

True confession time: I never know where a book is going. I get a gut feeling the story is there, then pursue it with the enthusiasm of a hunting tiger on a trail. If I knew where I was going, I'd get bored out of my mind and stop writing.

Even after the text is written, there are a tremendous number of stages along the way to the finished book. If a publisher cares about the finished product, none of them will be omitted.

When I was finishing grad school, the hot new PC was the IBM 286. Bulky. Immobile. Expensive. I touched-typed easily and quickly, but nevertheless, I realized that the machine was a chain.

A common complaint about stories that include excessive coincidence is that the story is 'unrealistic.'

When a writer is already stretching the bounds of reality by writing within a science fiction or fantasy setting, that writer must realize that excessive coincidence makes the fictional reality the writer is creating less 'real.'

I started seriously applying myself to writing fiction immediately after I finished graduate school. By 'seriously,' I mean that, instead of noodling along on a story, finishing it or not as the mood struck me, I set out to complete what I started, to polish it to the best of my ability, and to send out the finished story.

In any story, drama may be intensified by the characters realizing by how narrow a margin they had managed to succeed - that is, where coincidence played a role. This is one of the more realistic ways to use coincidence because rarely do we realize how important a coincidental event is until after the fact.

I don't need music to write, but sometimes I put music on. I don't need special clothes or even my own equipment.