Quotes from Justin Cartwright

Advertising, the product of capitalism, can only justify itself on the premise that the market is a force for good.

Writing 'Judas: The Troubling History of the Renegade Apostle' must have been a difficult task because there are no facts. Judas may quite possibly never have existed at all, and if he did, the Judas kiss may not have happened.

It's as though a smile is ageless, or perhaps eternal, independent of the decay and collapse of the surrounding features.

It is surprising how many people who don't read believe they have a book in them. Why? Nobody would imagine that Alfred Brendel took up the piano on a whim at 25 when he found accountancy unpleasant.

'The Cauliflower' is full of these bizarre anecdotes, some of them petty, others moving or whimsical, as its many characters try to make sense of the universe in which they live - a universe strange, febrile, and utterly unique.

In his later years, Ramakrishna took up residence at the Dakshineswar Kali Temple, from where his radiance extended far, even beyond his death in 1886.

We authors certainly don't know what is going to happen to our books. Are they going to disappear into the ether, following music downloads, or are ebooks going to open up a whole new world of readers? And how much are we being paid per copy? We haven't a clue.

Winning the Whitbread was a very major thing for me. I'd always been well reviewed, but this made me widely read.

Franschhoek - French Corner - is a place which serves South Africans as a kind of sophisticated fantasy, an alternative version of what life could be. The small town is enclosed by wild mountains, at this time of year blue and dusty green.

In Sydney, I gave what was billed as a masterclass to bright students of writing at the University of Sydney. But the term 'masterclass' was possibly over-egging the pudding. All I could do was pass on some lessons from my own life, and the most obvious is that if you want to be a writer, you must first have been a reader.

I grew up reading Updike. I remember being alarmed to find that he had published short stories by the time he was 22. I think 'Pigeon Feathers' was the first collection of stories I read. Only much later did I discover his non-fiction reviewing and art criticism.

I always assumed I could never make a living out of literary fiction, and I was right. When I did try, it took four years before being published.

Great architects like Taut, Mendelsohn, and Gropius built some astonishing buildings which were to change the way architects around the world thought. Brecht and Weill forever changed musical theatre; Kaethe Kollwitz and others changed German perceptions of the purposes of art.

The book that meant most to me was 'The Wind in the Willows.' It sounds ridiculous, but that was my vision of England.

Someone once pointed out that there are quite a lot of animals in my books, and I'm sure that is something to do with 'The Wind in the Willows.' I must have picked up a rather anthropomorphic view of them.

If Franschhoek has a fault, it is in the lavish refurbishment of wine farms and estates which has reached absurd proportions. Some, like Graf Delaire Estate, are brand new, with jewellery shops, indoor streams, and very high-end lodges for rent at prices not many South Africans can afford.

When Doris Lessing won the Nobel Prize for Literature at the age of 88, she was the oldest person ever to receive the prize and one of only 11 female winners in its history. Her award was the end of a very long journey from a remote farm in Rhodesia to a banquet at Stockholm's Stadshus, the grand city hall in Stockholm.

The Bodleian Library, next to the Sheldonian, is one of the great libraries of the world. As well as holding most of the books printed in England since the first quarter of the 17th century, it houses priceless printed texts, manuscripts, and collections.

Consciousness - that, to me, is the theme of the modern novel.

I love John Updike immoderately. I am profoundly shocked that he has gone because he was, for me, the greatest American writer of the second half of the 20th century. He was also a gracious, charming, and witty man.

You can't believe anything that's written in an historical novel, and yet the author's job is always to create a believable world that readers can enter. It's especially so, I think, for writers of historical fiction.

James McBride's 'The Good Lord Bird' is set in the mid-19th century and is based on the real life of John Brown, the one who lies a-mouldering in his grave.

I write from what I take to be the realist's point of view, looking at life as it really is - or the way I see it to be.

As I read 'The Infinities', with its magical, playful richness, its sensuous delight in the power of language to convey the strangeness and beauty of being human, I wondered if J. M. Coetzee, with his bleak, pared-down, elemental view of the world, had ever read a Banville and, if he had, whether he had envied him his astonishing powers.