Quotes from Farah Khan

I never thought 'Mein Hoon Na' will do so well in Pakistan. Whenever I meet Pakistanis in London or the U.S., they have so much love and affection for me because of 'Mein Hoon Na,' which was my most criticised film in India.

Parenting three children at the same time has helped me grow as a filmmaker. It taught me to be more empathetic and understand what people want from me.

Before I had my babies, I would tend to be self-absorbed, and worry about little things, but now I am a changed person.

I would never want to do a content-driven film with a box office life of Rs 20 crore.

I always say a film should be given breathing space.

My father Kamran Khan was a successful producer, director and actor in B-grade films.

Adopting a pet is like taking the responsibility of a baby.

The stars that I've worked with started their careers almost at the same time as me. Whether it is Shah Rukh Khan or Aamir Khan or Salman Khan.

There are two aspects around which the dynamics of Bollywood revolve - chivalry and chauvinism.

I don't think there is anything new left for me in choreography.

I was chosen over British and French choreographers to work on 'Bombay Dreams.'

Every person on Twitter is a critic. Every person who watches a movie will write a blog or a review. You can't go out trying to impress these people.

We have music playing at home, day and night.

Manmohan Desai's films pack a lot of joy and have a child-like quality and you can see the director is having fun, but my movies don't suspend disbelief that much. But it's good to be compared to Manmohan Desai. He was run down by critics in his time.

I don't smoke, drink, do drugs or even have affairs. If I don't even swear, I should be put in a shrine and sanctified.

I always feel your movie will be as strong as your weakest link.

Web series are the future.

I am happy judging shows and making films. It is a good thing to do a film and then take up a show, considering it also keeps your popularity alive.

Every person with a phone is a critic.

Since 'Main Hoon Na' is a cult film, if I want to make a sequel, the story has to be good!

I make aesthetic movies which are grand and with some of the biggest stars. It's not fair to run them down. I don't make tacky films.

I'd taken 'Om Shanti Om' to Japan and they loved it because they just love the not holding back of emotions.

When TV came, people said who will go to theatres to watch movies? When the Internet came, they said the same. And now it's the digital media... The doomsday predictions are always there but I don't think people will stop going to cinema halls because that is one experience you can't get at home.

It is an extremely difficult task to make an entertaining movie, which is completely aesthetic and you can watch again and again.