Quotes from David Mamet

I love working on a typewriter - the rhythm, the sound; it's like playing the piano, which I do, too.

In Chicago, we love our crooks!

My dad was an immigrant kid and a Democrat and a Jew, and we didn't know any Republicans in our group. So I grew up Democratic. My dad was a labor lawyer - a very hardworking guy, a one-horse labor lawyer - and then I went to hippie college and lived in the bubble.

I didn't knowingly meet a conservative until, to my shame, I was 60 years old and sat down and said, 'Wow, I don't understand what this guy's talking about, but he has a great civility about him. Perhaps I better investigate this thing.'

Each culture has its own form of staged combat, evolved from its particular method of street fighting and cleaned up for presentation as a spectacle, e.g. savate, Cornish wrestling, karate, kung-fu.

A stage play is basically a form of uber-schizophrenia. You split yourself into two minds - one being the protagonist and the other being the antagonist. The playwright also splits himself into two other minds: the mind of the writer and the mind of the audience.

Listen, here's the thing about an English degree - if you sat somebody down and asked them to make a list of the writers they admire over the last hundred years, see how many of them got a degree in English.

The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable.

The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.

I love Superman. I'm a big fan of anyone who can make his living in his underwear.

People ask me, 'What do you do?' And I tell them I'm a writer, but always with the silent reservation, 'I am, of course, not really a writer. Hemingway was a writer.'

My definition of a 'friend' is, coming from Chicago, someone who says, 'Yeah, sure. You know what? Let's talk about what we can talk about. Let's help each other out. Your politics are none of my business.'

The so-called assault weapons ban is a hoax. It is a political appeal to the ignorant. The guns it supposedly banned have been illegal for 78 years. Did the ban make them 'more' illegal? The ban addresses only the appearance of weapons, not their operation.

A play is basically a long, formalistic polemic. You can write it without the poetry, and if you do, you may have a pretty good play. We know this because we see plays in translation. Not many people speak Norwegian or Danish or whatever guys like Ibsen spoke, or Russian - yet we understand Chekhov and the others.

They have a desire to put on plays and to fulfill that traditional role of a theater in a community: to be the place where people go to hear the truth.

Always tell the truth - it's the easiest thing to remember.

One person may need (or want) more leisure, another more work; one more adventure, another more security, and so on. It is this diversity that makes a country, indeed a state, a city, a church, or a family, healthy. 'One-size-fits-all,' and that size determined by the State has a name, and that name is 'slavery.'

Life in the movie business is like the beginning of a new love affair: it's full of surprises, and you're constantly getting f***ed.

The Israelis would like to live in peace within their borders; the Arabs would like to kill them all.

If, indeed, a firearm were more dangerous to its possessors than to potential aggressors, would it not make sense for the government to arm all criminals, and let them accidentally shoot themselves? Is this absurd? Yes, and yet the government, of course, is arming criminals.

Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?"

Forget narrative, backstory, characterisation, exposition, all of that. Just make the audience want to know what happens next.

People may or may not say what they mean... but they always say something designed to get what they want.

Anyone ever lost in the wild knows that nature wants you dead.