Quotes from Marcel Proust

burying the bush in these little rosettes, almost too ravishing in colour, this rustic 'pompadour'. High up on the branches, like so many of those tiny rose-trees, their pots .concealed in jackets of paper lace, whose slender stems rise in a forest from the altar of the greater festivals, a thousand buds were swelling and opening, paler in colour, but each disclosing as it burst, as at the bottom of a cup of pink marble, its blood-red stain...

A person has no need of sincerity, nor even of skill in lying, in order to be loved. Here I mean by love reciprocal torture.

As by an electric current that gives us a shock, I have been shaken by my loves, I have lived them, I have felt them: never have I succeeded in seeing or thinking them.

In the human race, the frequency of the virtues that are identical in us all is not more wonderful than the multiplicity of the defects that are peculiar to each one of us. Undoubtedly, it is not common sense that is "the commonest thing in the world"; it is human kindness.

It was true that Odette played vilely, but often the most memorable impression of a piece of music is one that has arisen out of a jumble of wrong notes struck by unskilful fingers upon a tuneless piano.

But then, even in the most insignificant details of our daily life, none of us can be said to constitute a material whole, which is identical for everyone, and need only be turned up like a page in an account-book or the record of a will; our social personality is a creation of the thoughts of other people.

El recordar una determinada imagen no es sino echar de menos un determinado instante, y las casas, los caminos, los paseos, desgraciadamente son tan fugitivos como los años

The ineffable utterance of one solitary man, absent, perhaps dead (Swann did not know whether Vinteuil were still alive), breathed out above the rites of those two hierophants, sufficed to arrest the attention of three hundred minds, and made of that stage on which a soul was thus called into being one of the noblest altars on which a supernatural ceremony could be performed.

Sometimes it would even happen that this precocious hour would sound two strokes more than the last; there must then have been an hour which I had not heard strike; something which had taken place had not taken place for me; the fascination of my book, a magic as potent as the deepest slumber, had stopped my enchanted ears and had obliterated the sound of that golden bell from the azure surface of the enveloping silence.

And continued to regard all their absurdities in the most rosy light through the admiring eyes of love.

We guess as we read, we create; everything starts from an initial error; those that follow (and this applies not only to the reading of letters and telegrams, not only to all reading), extraordinary as they may appear to a person who has not begun at the same place, are all quite natural. A large part of what we believe to be true (and this applies even to our final conclusions) with an obstinacy equalled only by our good faith, springs from an original mistake in our premises.

Like many intellectuals, he was incapable of saying a simple thing in a simple way.

Pleasure in this respect is like photography. What we take, in the presence of the beloved object, is merely a negative film; we develop it later, when we are at home, and have once again found at our disposal that inner darkroom, the entrance to which is barred to us so long as we are with other people.

So what I had believed to be nothing to me was simply my entire life. How ignorant one is of oneself.

It was with an unusual intensity of pleasure, a pleasure destined to have a lasting effect on him, that Swann remarked Odette's resemblance to the Zipporah of that Alessandro de Mariano to whom more people willingly give his popular surname, Botticelli, now that it suggests not so much the actual work of the Master as that false and banal conception of it which has of late obtained common currency.

that distant look characteristic of people who do not wish to be agreeable...

Tâchez de garder toujours un morceau de ciel au-dessus de votre vie, petit garçon, ajoutait-il en se tournant vers moi. Vous avez une jolie âme, d'une qualité rare, une nature d'artiste, ne la laissez pas manquer de ce qu'il lui faut.» Quand,

The whole art of living is to use the people who make us suffer simply as steps enabling us to obtain access to their divine form and thus joyfully to people our lives with divinities.

Like a rare species of shrub in a tub, near the carriages, in front of the porch where I was waiting, stood a young page who amazed the eye as much by the remarkable harmonies of his coloured hair as by his plant-like skin.

Part of the beauty—and it is the original flaw in this type of literature, from which the famous Lundis are not exempt—lies in the impression made on the readers. It is a collective Venus, of which we have but one truncated limb if we confine ourselves to the thought of the author, for it is fully realised only in the minds of his readers. In them it finds completion.

I felt even disappointed when he resumed the thread of his narrative.

I should have been struck down by the despair a young lover feels who has sworn lifelong fidelity, when a friend speaks to him of the other mistresses he will have in time to come.

Which drew from Bloch nothing more instructive than "Sir, I am absolutely incapable of telling you whether it has rained. I live so resolutely apart from physical contingencies that my senses no longer trouble to inform me of them." "My

That girl whom I never saw save dappled with the shadows of their leaves, was to me herself a plant of local growth, only taller than the rest, and one whose structure would enable me to approach more closely than in them to the intimate savour of the land from which she had sprung.