Quotes from Oren Peli

Even when I was making the first 'Paranormal Activity,' I didn't tell anyone I was making it, not my friends or neighbors or co-workers. I just kind of found that there was nothing to gain by announcing to the world that you're doing something.

The less people know about 'Paranormal Activity,' the more they enjoy it.

I pay a lot of attention to box office because I understand it. TV ratings? I don't know how to interpret them, since I'm new to TV, so I'm just going to wait for somebody to tell me.

Gory stuff can be shocking but it doesn't really scare me. I'd say the kind of stuff that gets under my skin is the unknown. You hear a knock behind a wall and you don't know what it is. Is there something there or not?

After I watched 'The Exorcist' I refused to watch any other movie that had anything to do with ghosts or demons. I didn't even watch 'Ghostbusters' until I was much older.

I think that horror, in general, is fairly popular. It's definitely popular in film. There's just not a lot of good horror on TV, so whenever there is good horror on TV, people rush to it.

One of the advantages of this found footage format is that you can have deliberately badly composed frames. Here we can put a camera in the weirdest angle and it kind of throws you off. You never know what you are supposed to be paying attention to. It's deliberate chaos.

I've never owned an Apple product. I like the fact that PCs are open architecture and not locked down like Apple products. I feel that Macs are also unjustifiably overpriced.

On 'Paranormal Activity,' it worked to my advantage not to have much of a crew, but on a bigger movie, where you have to work with a larger group of people who basically become your second family for a few months, it can be a great experience. Even though all of my projects are small scale compared to most Hollywood productions.

I'm pretty content with what I have, but the one thing that I don't have is something like the iPod - but PC-based. I think that would be cool.

It's always about finding the right balance between answering some questions and raising new ones to keep your story going.

I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.

Our lives are pretty calm. Merging on the freeway in the closest you get to risking your life. So what's missing now is that primal emotion of being scared to death, and I think that's why people crave thrills like roller coasters or scary movies. They give you the chance to feel this very primal emotion in a very controlled environment.

Even if you look at the 'Paranormal Activity' movies, at the end of the movie things get really crazy and nutty, but they all start in a very mundane situation that people can relate to, and that's also to some degree what we tried to do in 'Chernobyl Diaries.'

In many cases your imagination is much more effective than what can be shown. It primes you to know something is about to happen - the anticipation and anxiety is worse than what ends up happening.

The most pressure I felt was for the first 'Paranormal Activity,' because when it was released, whether it was going to be a hit or not, I knew it was going to be a life-altering event for me.

I'm just considering myself extremely lucky. All I wanted is to have 'Paranormal Activity' be released and become successful. And everything that's happened since then is just an enormous bonus.

By trade, I am a software programmer, so I never really had any experience with movies before. I started out with 'Paranormal Activity.'

I think the traditional explanation is that demons just find someone, they pick on them and try to break down their spirit so they can... take control of their bodies. Why exactly? I don't know.

I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.

There is so much misinformation out there. If you give people even a little bit, it gets blown out of proportion then you have to go put out fires. So it's much easier to say, 'No comment.'

I've been having a lot of fun exploring different aspects of filmmaking, like writing and producing. There isn't a specific plan and I usually don't know what's going to be the next thing I do.

The thing that scares me is a place like the Amazon - which is the size of the continental U.S. and mostly unexplored and has a different ecosystem, there are so many things in there that can kill you.

I believe that whenever I want to learn something I can learn it much better and faster by myself if I'm motivated to learn it as opposed to kind of doing it in more a standard, institutionalized way.