Quotes from Gabrielle Zevin

Why was it so hard for him to say he loved her even when she said it to him? He knew he loved her. People who felt far less for each other said "love" all the time, and it didn't mean a thing. And maybe that was the point. He more than loved Sadie Green. There needed to be another word for it.

A name is destiny, if you think it is.

I don't think that every last bit of the programming has to be original. You have this purity thing, but seriously, no one will care. There is no purity in art. The process of how you arrive at something doesn't matter at all. The game is going to be completely original because we made it. If you have access to a tool that will help, there is no reason not to use that tool.

The walls of the bookstore have wood panels up to just above her head, but beyond that is blue wallpaper. Maya can't reach the wallpaper unless she has a chair. The wallpaper has a bumpy, swirling pattern, and it is pleasing to rub her face against it. She will read the word damask in a book one day and thinks, Yes, of course, that's what it's called . In contrast, the word wainscoting will come as a huge disappointment.

That spring, Amelia takes Maya to the drugstore and lets her choose any polish color she likes. "How do you pick?" Maya says. "Sometimes I ask myself how I'm feeling," Amelia says. "Sometimes I ask myself how I'd like to be feeling.

love, he thinks. What a bother. It's completely gotten in the way of his plan to drink himself to death, to drive his business to ruin. The most annoying thing about it is that once a person gives a shit about one thing, he finds he has to start giving a shit about everything. No, the most annoying thing about it is that he's even started to like Elmo.

You forget all of them. Even the ones you said you loved, and even the ones you actually did. They're the last to go. And then once you've forgotten enough, you love someone else.

A.J. has often reflected that, bit by bit, all the best things in the world are being carved away like fat from meat. First, it had been the record stores, and then the video stores, and then newspapers and magazines, and now even the big chain bookstores were disappearing everywhere you looked. From his point of view, the only thing worse than a world with big chain bookstores was a world with NO big chain bookstores.

You are not a beautiful girl, and even if you were, you know that is not related to how much sex a person has. Plenty of ugly people have sex. Plenty of ordinary people have sex. Plenty of beautiful people spend their nights alone.

In the fifteen or so years he has known her, A.J. thinks Ismay has aged like an actress should: from Juliet to Ophelia to Gertrude to Hecate.

Sam would later tell people that these mazes were his first attempts at writing games. "A maze," he would say, "is a video game distilled to its purest form." Maybe so, but this was revisionist and self-aggrandizing. The mazes were for Sadie. To design a game is to imagine the person who will eventually play it.

The kind of people who spend their lives as permanent guests on a futon are not the kind of people you want to know.

On Earth, Liz was constantly occupied with studying and finding a college and a career and all those other things that the adults in her life deemed terribly important. Since she had died, everything she was doing on Earth had seemed entirely meaningless. From Liz's point of view, the question of what her life would be was now definitively answered. The story of her life is short and pointless: There once was a girl who got hit by a car and died. The end.

His heart is too full, and no words to release it. I know what words do, he thinks. They let us feel less.

It had not been a lonely childhood, though many of her intimates had been somewhat less than real.

their fingertips casually touching, in the way of people who were entirely comfortable around each other. She almost seemed to be an extension of him, and he, of her. There is love here, she thought. In the end, she decided, with some amount of disappointment, that none of them were involved romantically.

So many of the mothers she knew said that their children were exactly themselves from the moment they appeared in the world. But Sadie disagreed. What person was a person without language? Tastes? Preferences? Experiences? And on the other side of childhood, what grown-up wanted to believe that they had emerged from their parents fully formed? Sadie knew that she herself had not become a person until recently. It was unreasonable to expect a child to emerge whole cloth.

she doesn't want to become the kind of person who thinks that good news can only come from calls one was already expecting and callers one already knows

Tamagotchis, the digital pet keychains, were everywhere that year. Marx had recently killed one that he had received as a holiday gift from a girlfriend. The girlfriend had taken it to be a sign of deeper flaws in Marx's character.

Your cousin Albert told me that, in business, they call this a pivot. But life is filled with them, too. The most successful people are also the most able to change their mindsets.

At first, he thinks this is happiness, but then he determines it's love. Fucking love, he thinks. What a bother. It's completely gotten in the way of his plan to drink himself to death, to drive his business to ruin. The most annoying thing about it is that once a person gives a shit about one thing, he finds he has to start giving a shit about everything.

He was no longer the boy who wanted to taste everything at the buffet, and he considered it a sign of his own maturity that he had not thought to end things with Zoe. But his disdain for his former itinerancy had made it so he could not recognize the reasons a person should stay.

His eyes were blazing and I swear I could smell the testosterone coming off him.

I'm going to play until the end of this life.