Quotes from Dan Auerbach

You get to bring your own sound system when you play an arena, all the lights and visual stuff, which I think is really cool. There's something about those old arenas, where it feels larger than life.

I used to be really nervous when I sang. Like, when I was a kid starting young, 18 and 19, and my dad really had to sort of push me to start singing in front of people. Ever since I got out there and really started doing it, the only thing I've ever tried to do is just sort of is be myself, you know, never put on a voice. Sing naturally.

When I learned to play music, I was listening to blues music. And all the blues music I liked was super simple and stripped down. And then all the hip hop I liked was super simple and stripped down and we always heard that connection.

Being 16 years old and getting an electric guitar is never going to get old. There's always going to be kids making music. There's always going to be kids in bands.

Hip hop is the new rock n' roll, you know what I mean? And anybody who doesn't think that is just sort of living in the past. It's all just American music, really, when you get right down to it.

Everybody always wants to rebel against their parents' music, but nobody listened to music louder than my dad.

Bands from Akron have a sense of humor and don't tend to take themselves too seriously.

I am nice to everybody. But people really take advantage of it.

Some people love being onstage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking onstage.

I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.

My mom bought me a white Strat, but that wasn't what I wanted, so I went to a guitar store in Cleveland and - the guy told me it was a really good deal - made an even swap for a blue Teisco Del Ray. I loved that guitar and used it a bunch.

I tend to name albums after one of the songs.

A Grammy is really nice, but having lots of fans is really nice, too. I think just getting a record out is a success on its own.

You know who we hear about all the rappers from? The bus drivers.

Well, when The Black Keys make a record, I never really feel limited. To me, it seems the possibilities are always endless. The big difference has been playing live and being able to recreate every little part of the record.

I'm really not worried about what fans think.

I'm definitely a guitar player, but it's the last thing I listen to in a song, after the singer and the drums.

Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.

Coming from a smaller place always made things feel more personal, which is really what it's all about.

It's not about success. Whatever happens, it doesn't matter. I would like to not go bankrupt or get some incurable disease, but other than that, I'm just happy to keep going.

The Black Keys is just a band that wants to get on stage and rock it.

Bombino's a super modest guy, very nice. His whole crew is a bunch of characters and he's definitely the Grand Poobah. I don't think the other guys are that much younger than him, but he definitely feels like the wise man; you just sort of get that sense when you're around him. He doesn't say that much but he's humble and well-respected.

Guitar solos bore the hell out of me. Only a few guitarists interest me, and it's not about the solos they play, it's about the grooves they create.

I never listen to Led Zeppelin. But, I mean, I don't think Robert Plant or Jimmy Page listen to Led Zeppelin, either. We all probably obsessed over the same old blues records growing up.