Quotes from Bat for Lashes

When I was writing my dissertation, I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification.

It can be frightening to turn your back on what others think is right. But I'm not the same as a lot of people - I'm quite artistic and quite eccentric sometimes. If you honour that, you fit into yourself better - and people accept you for what you are.

I have lots of clothes that I don't wear because I'm bad for impulse buying. They sit in my cupboard looking forlorn, but if I haven't worn something for a couple of months, I usually realise that it would be much better off in one of my friends' wardrobes.

I always think that the exceptional people are those who remain outsiders but still communicate on a grand scale. I think I want everyone to feel more free, and so I feel really claustrophobic on behalf of lots of people.

In a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.

I was brought up by the English side of my family, who are very repressed and working class. Absolutely lovely, but very English.

I want to add something worthwhile rather than just chucking loads of stuff into the world. I don't want to feel responsible for adding to the soup of mediocrity.

When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.

Each album takes two or two-and-a-half years to finish between recording and touring. It's like being with an old boyfriend every single night watching the same things on TV. There is a world out there going on that I'm missing.

I get invited to premieres, and I've been to a few fashion shows and stuff, but I always get really bored. I feel quite awkward. You have to wear something by them, and it all feels like, 'Why am I doing free advertising for you?'

I find the world pretty overwhelming, so I'm getting into meditation and doing lots of yoga. And I love my garden, and I love nature, and I feel like that grounds me and keeps my mind clear.

When I was young, I wanted to be a writer or painter. I was always writing stories, and I excelled at drawing. My teachers encouraged my art work. When I was 9 or 10, I began learning piano and started writing music.

I'd love to win a Grammy! Not ambitious or anything. And just having a really lovely bunch of kids and a happy family life, would be good for me.

I was a nursery school teacher, and I worked with youth groups. I loved that job. It was exhausting, but you got a lot back - all their purity and insight and innocence is so on the surface, and they're so unrepressed; they'd really scream at you and then give you a massive kiss.

I cry a lot when I feel empathy. I can feel heartbroken by life, and I cry quite easily, sometimes for no reason. It's healthy, I think.

I think there's a karmic purpose that souls make before they decide to come into people's bodies and become someone's parent, or become someone's child. Maybe my dad disappearing was his way of giving me material with which to work, or a predisposition to feel heightened emotions.

I feel empathy for people who are trapped in a prison of self-consciousness in an uncomfortable way. We can be free, but we're so held back. So perhaps that's why I feel a duty to make my work. I feel liberated when I'm doing it, and I want other people to feel liberated through it.

To be a great artist, you need to know yourself as best as you possibly can. I live my life and delve into my own psyche. It's more about exploring how I feel rather than making pale imitations of something that came before. We are unique beings, and the way we look at things is our own.

There's something in me that loves to inspire people: when I'm playing music, I imagine all this sparkly stardust going through everyone. I want to make people come alive.

I like it when people make an effort to wear things that you wouldn't normally put together - I like eccentrics.

I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.

I got really good input up until the age of 11, which is perfect. That's when adolescence starts, when I would have really wanted to rebel. Up until that point, though, it didn't feel like doctrine, and it gave me a great moral structure.

We are bits of energy floating about in various guises, and when we die we rejoin the big cosmic soup of the universe.

All of the art that I love is about peeling back layers and delving into something that's in a subconscious or dream realm. People like Jan Svankmajer, or the artist Yoshimoto Nara, or David Lynch.