Quotes from Orlando Jones

People choose whatever projects they've seen that I've done over the years, and whichever one is their favorite is the only one they care about. But I realized that none of those were my voice or representative of what my thoughts and feelings were.

I became acutely aware of how important it is to separate the difference between who you are and who the character you're playing is.

I walked in thinking, 'I have ten movies under my belt and now they want me to go back to making commercials?' I said, if I do that, I want it to be funny.

If you come on the set of 'Sleepy Hollow,' and you go, 'So, is this a 'Once Upon a Time' spinoff?' That's right when we start slappin' people. It's right then. Now if you came on the set, and you were like, 'I like this show. It kinda reminds me of 'Supernatural,'' that gets you a high five.

Belly was not a bad movie. It was visually very interesting.

I've been in fandom for a really long time. Back in the day, you had to go to a con to engage in fandom, and that was really the only way.

Ultimately, the core premise of 'American Gods' is, 'What do you believe?' And how your beliefs can be manifested into reality.

With 'The Replacements,' it was insane. I'd never done a movie that opened up and made, like, seven million dollars. I'd never been part of, like, a four-day press junket for a movie that was international and domestic.

Anytime you have a family member getting out of prison, there's always drama.

Sometimes I'm more inspired by stuff that tells a story and less inspired by stuff that's not a natural extension of what I'm already doing.

I want to see as many black professionals as possible.

When I was on 'Mad TV,' I figured my parents were watching, and that was it. It wasn't 'Saturday Night Live,' so it didn't really have the same high profile.

'Sleepy Hollow' was really the first thing I'd done that gave me the opportunity in the modern age to build an authentic relationship with an audience that was a lot more like what happens in theater.

The only reason I wanted to do 'MADtv' was because I grew up reading 'Mad Magazine' because I'm a comic-book nerd.

My father marched in Selma. My father was there in Alabama. That's where I was born. My birth certificate says 'colored.' It does not say I'm African-American or black. So for me, those are real realities that are not subject to opinion.

The Internet, to me, is about rebel culture, and I've always loved it. When I think of rebel culture, I think of rock-and-roll or hip-hop, and for a long time now, it's been the Internet.

I'm tired of cookie-cutter monolithic representation of black folks.

Machinima has just been stupid-amazing. They're incredible. It's been exciting to work with them, and I hope to do it for a long time.

I sort of fell in love with the idea that we all love things that we're not supposed to, and that, often, that love is also 'tainted.' I wrapped it in sort of a graphic novel theme, and out of that came 'Tainted Love.'

Graphic novels and comic books, by and large, as you know, have cover art, and they have interior art. The interior art is never as detailed as the cover art.

Someone I met years ago explained to me the difference between a personality and an actor, a personality being Eddie Murphy or Roseanne Barr, and an actor being Morgan Freeman and Alfre Woodard or Marlon Brando.

Love without limits; reverse the hate.

You give the guy an Image Award three years in a row and then turn on him like that? If that's the role they want to fulfill, they need to send a clearer message.

Religion is a tool to stamp out oppression, repression, and tyranny. It's to save the oppressed. That's what religion is for.