Quotes from Alexandra Fuller

Being a white southern African who saw the transition from Rhodesia to Zimbabwe, the sense of being an outsider was absolutely instilled in my limbic system.

It seems very clear to me that we, in the West, cannot afford to continue assuming propriety over the world's resources in a careless, greedy way without paying for it - not only with the lives of our loved ones, but also with our souls.

I listen mostly to classical music.

Mostly, I would like people to ask other writers about the craft of their writing so we could learn from one another. We ask movie directors why they chose to use certain lights and angles and speeds of film, but most of the time, we ignore the craft of a writer.

There is a myth that writers get to choose their stories. You don't get to choose your story any more than you get to choose your children. You can make the decision to write, but beyond that, at the end of the day, it's going to come out how it's going to come out.

The belief that we can be done with our past is a myth.

I'm unconventional and eccentric and talk things out, and it seemed that the person I married - maybe in reaction - got quieter and more conventional over time. It felt as if we were putting each other in a straitjacket.

It's a long day's drive any way you look at it. With a man who has taken your sins - real and imagined - and stitched them onto the sackcloth of his own soul, it is endless.

There is no way to order chaos. It's the fundamental theory at the beginning and end of everything; it's the ultimate law of nature. There's no way to win against unpredictability, to suit up completely against accidents.

I grew up in southern Africa but was born in England, so my family was afflicted with the stiff upper lip of the British. When coupled with the violence we saw as children, that can be a fatal combination. Fortunately, I have an outlet for trauma in my writing.

I write and I read, and I write and read my way into and out of ideas and life. And that's what we do. That's what storytellers do.

Being a writer but also having been raised the way I was, I tend to turn to books for answers.

Until I read Anne Frank's diary, I had found books a literal escape from what could be the harsh reality around me. After I read the diary, I had a fresh way of viewing the both literature and the world. From then on, I found I was impatient with books that were not honest or that were trivial and frivolous.

I think for writers, I think it's really important to court eviction from your tribe: to expose things and to wake people up. And so I think that that can feel like a violation to the people you love the most.

I have heard over and over again that the drilling business is a dangerous business, and death is an expected part of the game, but I've also heard of the way that safety violations, human and environmental laws, and a concern for the local culture are flaunted in pursuit of money.

In ways I don't entirely have the words for, an experience, thought or a lesson isn't real for me until I've written down.