Quotes from Juno Temple

For a woman, body image is always a palpable thing. Weirdly, for me, the only time I don't care is when I'm in character.

I think film should be interactive. But at the same time, it's also great to go see a big popcorn movie and be taken to a complete fantasy world.

I had this imaginary world where fairies were my friends. If you told six-year-old Juno that she'd one day play a Disney fairy, she'd totally freak out.

I love independent films. I love going to see them. I love being a part of them because it kind of feels like 'all for one and one for all.' It can be really challenging but also really rewarding because sometimes you have to do so much stuff in a day, but I like that challenge, and you make such amazing friends.

I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.

I think seeing films should be interactive. I'd rather have people see a film that I'm in and either absolutely love it or absolutely hate it, than be like, "Oh, yeah, it was good." That's the worst!

But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!

There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.

The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.

It's all about the director for me we have to click. It's a trust thing. I'll say I'm ready to let down my walls. I'll cry for you as long as you need. But you're going to have to hug me afterwards.

I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that I think it's gonna be very cool.

I just want to work forever. I absolutely love what I'm doing. I learn all the time from all these amazing artists.

I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.

That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.

I love Kings of Leon.

There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.

I've never been scared of snakes. I'm really, truly arachnophobic - I hate spiders - but snakes have never freaked me out. I think they're really beautiful.

Social media... I need to get with it. Obviously it's what everyone's doing, but I like the idea of my life being mine. But at the same time, it would be awesome to be able to get into contact with people who admire my work.

I think it's so important when you're playing a character that you can't judge the person you're playing at all. It's a judgment-free zone. You have to just go for it.

If people want to criticize a performance, that I understand. I think that's important.

I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.

Being a woman is a very powerful thing, I think, and you don't want to abuse that.

I was the kind of girl who'd peep through her bedroom keyhole to check if her dolls were moving.

I'm actually constantly a bit nervous because I never want to disappoint anyone, you know?