Quotes from R. Kelly

When I first came in the business, I had a couple of close calls on planes going to London for shows. There was one time where the plane had to fly around until a storm ended, and then we started having a question about fuel, so we had to go through the storm. It was the worst thing that ever happened in my life. That really messed me up.

'Love Letter' reminds me of 'Chocolate Factory' and 'Happy People.' It's a little bit of both of those, yeah. I just wanted it to be classy, man. And romantic. And maybe 10 percent sexy.

Well, I believe that the depth of your struggle can determine the height of your success. I was inspired to come out of everything I've been through and end up in a place where I never thought that I would be.

I try to write life and not songs. People live life, and when you write life, you're going to mess around and touch somebody's heart, and they'll relate to you and what you're singing about.

My mother wasn't rich, and I never seen my father. I was a street performer. I've been shot. And now I'm known around the world, and I've touched a lot of people with my music. That's one of the great testimonies that's gonna go down in history.

Everywhere I go, from malls to restaurants to sold-out tours overseas and back, everywhere I've been, I get nothing but love.

In my life, I wanted to feel tall. I wanted to be somebody. I wanted to be tall as the Sears Tower. I wanted to be on top of the Sears Tower. I wanted to be as strong as the Sears Tower feels.

As a businessman, I saw club tracks as a new franchise that could be profitable for years to come. It was like being in McDonald's and realizing that even though cheeseburgers and fries sold big, you could also make money serving up McRibs, which are always available for a limited time only.

I've programmed myself musically to come up with love-feeling tracks that are romantic, sexy, but classy, all in one. And that's the challenge. Once I create that music, then the lyrical content starts to come - you know, the stories and things like that.

Take away the In God We Trust, tell me what the hell is wrong with us.

I am very conscious of who I am as an artist and as an inspirational person.

When I met Michael Jordan on a basketball court at an athletic club - we hooped together in Chicago - he came to me and asked me if I wanted to do a song for his upcoming movie. I was like, 'Yeah!' I didn't even ask what it was.

Biggie was a lyrical genius: he was a musical painter with words. As he rapped, you would see the picture come to life as you heard his story. You hear a lot of rappers rap; you hear a lot of singers sing, but you don't see the movie in your head the way you do when you hear Biggie rap.

You don't want R&B singers to get into beef. Leave that to the rappers, let them do that - R&B, be classy.

I learnt a whole lot from my mother. About music, relationships, being a good person, loving people, the whole of life. I learnt about everything from her. Every single day I think about her. All through the day.

I started learning everybody's riffs, from Donny Hathaway to Jeffrey Osborne to James Ingram. That helped me create my own style of singing.

If I could change anything, I would definitely have had a father around. My father. I would definitely say it affected me deeply as a young man, coming up. Who doesn't want a father? Those are the beginnings, and those are what can dictate the roads you choose in life, and choosing them well.

'Trapped In The Closet' lives in a place on the earth on its own. It pays its own rent, it's its own landlord, it owns the building, it's everything. And it's so separate from what R. Kelly does; that's the great thing about it.

All the sounds on 'Trapped in the Closet' - the knockin' on the door, when I grab the keys, when I walk down the stairs, the car horns - we sampled all of those things around my house.

'Trapped in the Closet' is pretty much forever. I've got a leash on this thing now. I'm going to walk it.

My friend, there is no end when it comes to 'Trapped In The Closet.'

I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.

You know, I love plays. I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director.

You don't see me in the club. And the reason is because I would rather be in the studio mixing these musical potions. Now sometimes they blow up in my face, and there's a lot of smoke. But that's who I am. Music is what I do.