Quotes from Tim Cahill

I am living out my adolescent dream of travel and adventure.

I have no problem with the adventure travel movement. It makes better, more sensitive people. If you get people diving on a coral reef, they're going to become more respectful of the outdoors and more concerned with the threats that places like that face and they're going to care more about protecting them than they would have before.

You become a better writer by writing. You become a better travel writer by writing about travel.

In 1952, Muddy cut the song 'Rollin' Stone.' It was a nationwide success, and the song echoes down through rock n' roll history. Bob Dylan cut a tribute by the same name, an English band decided to call themselves the Rolling Stones, and the magazine that first embraced music as a serious cultural phenomenon was itself called 'Rolling Stone.'

Publishing your work is important. Even if you are giving a piece to some smaller publication for free, you will learn something about your writing. The editor will say something, friends will mention it. You will learn.

You have very short travel blogs, and I think there's a split among travel writers: the service-oriented writers will say, 'Well, the reader wants to read about his trip, not yours.' Whereas I say, the reader just wants to read a good story and to maybe learn something.

For me, to find a place that doesn't have an organized tour going to it is becoming more and more difficult. A lot of times it involves danger of a political nature - places where the adventure-travel trips can't go because they can't get any liability insurance.

For many years I thought my job was to go to places where it would be difficult for most of the readers to ever get to. Now, in the more than 20 years I've been doing this, the concept of adventure-travel trips or expeditions by groups has sprung up. The places I went 20 years ago now have adventure-travel trips.

It's often hilarious to me that I'm writing about Tonga or some tropical place and there's a blizzard outside and the cows are on their backs with their hooves in the air.

As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.

'Rolling Stone' had started something called 'Outside,' and since I was one of two people in the office that liked going outside, I was pegged to work on it. The concept of the magazine was simple: literate writing about the out-of-doors. I jumped at the opportunity.

A lot of the physical flirtation with fear I did early on in my career, when I was a much younger person - stuff I wouldn't do now. But I was very interested in the mechanics of risk and fear in those days. And I found out fear pretty much always feels the same, whether it's doing a rock climb or speaking in front of an audience.

Stanley Kubrick, I had been told, hates interviews. It's hard to know what to expect of the man if you've only seen his films. One senses in those films painstaking craftsmanship, a furious intellect at work, a single-minded devotion.

Stanley Kubrick went with his gut feeling: he directed 'Dr. Strangelove' as a black comedy. The film is routinely described as a masterpiece.

You become a better writer by writing. You become a better travel writer by writing about travel.

The sensual caress of waist deep cold smoke.... glory in skiing virgin snow, in being the first to mark the powder with the signature of their run.

You have to first be a writer and somebody who loves to write. If I couldn't travel, I would still write.

I am living out my adolescent dream of travel and adventure.

A journey is best measured in friends, not in miles.

An adventure is never an adventure when it happens. An adventure is simply physical and emotional discomfort recollected in tranquility.

Most of us abandoned the idea of a life full of adventure and travel sometime between puberty and our first job. Our dreams died under the dark weight of responsibility. Occasionally the old urge surfaces, and we label it with names that suggest psychological aberrations: the big chill, a midlife crisis.

Finally, consider your predicament a privilege in a world so shrunken that certain people refer to it as the 'global village.' The term 'explorer' has little meaning. But exploration is nothing more than a faray into the unknown, and a four-year old child, wandering about along in the department store, fits the definition as well as the snow-blind man wandering across the Khyber Pass. The explorer is the person who is lost.

When you've managed to stumble directly into the heart of the unknown - either through the misdirection of others, or better yet, through your own creative ineptitude - there is no one there to hold your hand or tell you what to do. In those bad lost moments, in the times when are advised not to panic, we own the unknown, and the world belongs to us. The child within has full reign. Few of us are ever so free

That's why the words "Let's go!" are intrinsically courageous. It's the decision to go that is, in itself, entirely intrepid.