Quotes from Arundhati Roy

Pointed in the wrong direction, trapped outside their own history and unable to retrace their steps because their footprints had been swept away.

What came for them? Not death. Just the end of living.

She was perhaps too young to realize that what she assumed was her love for [him] was actually a tentative, timorous, acceptance of herself.

The only dream worth having, I told her, is to dream that you will live while you're alive and die only when you're dead.

Anything's possible in Human Nature, Chacko said in his Reading Aloud voice. Talking to the darkness now, suddenly insensitive to his little fountain-haired niece. Love. Madness. Hope. Infinite joy. Of the four things that were Possible in Human Nature, Rahel thought that Infinnate Joy sounded the saddest. Perhaps because of the way Chacko said it. Infinnate Joy. With a church sound to it. Like a sad fish with fins all over.

As she watched him she understood the quality of his beauty. How his labor had shaped him. How the wood he fashioned had fashioned him. Each plank he planed, each nail he drove, each thing he made molded him. Had left its stamp on him. Had given him his strength, his supple grace.

It is curious how sometimes the memory of death lives on for so much longer than the memory of the life that it purloined. Over the years, as the memory of Sophie Mol ... slowly faded, the Loss of Sophie Mol grew robust and alive. It was always there. Like a fruit in season. Every season. As permanent as a government job.

Impelled by feelings that were primal yet paradoxically wholly impersonal. Feelings of contempt born of inchoate, unacknowledged fear--civilization's fear of nature, men's fear of women, power's fear of powerlessness. Man's subliminal urge to destroy what he could neither subdue nor deify.

By then Esthappen and Rahel had learned that the world had other ways of breaking men. They were already familiar with the smell. Sicksweet. Like old roses on a breeze.

She knew he'd be back. No matter how elaborate its charade, she recognized loneliness when she saw it. She sensed that in some strange tangential way, he needed her shade as much as she needed his. And she had learned from experience that Need was a warehouse that could accommodate a considerable amount of cruelty.

Flags are bits of colored cloth that governments use first to shrink-wrap people's minds & then as ceremonial shrouds to bury the dead.

Biology designed the dance. Terror timed it. Dictated the rhythm with which their bodies answered each other. As though they already knew that for each tremor of pleasure they would pay with an equal measure of pain. As though they knew that how far they went would be measured against how far they would be taken.

When she looked at him now, she couldn't help thinking that the man he had become bore so little resemblance to the boy he had been. His smile was the only piece of baggage he had carried with him from boyhood into manhood.

Another world is not only possible, she is on her way. Maybe many of us won't be here to greet her, but on a quiet day, if I listen very carefully, I can hear her breathing.

Ammu loved her children (of course), but their wide-eyed vulnerability and their willingness to love people who didn't really love them exasperated her and sometimes made her want to hurt them-- just as an education, a precaution.

At times there's something so precise and mathematically chilling about nationalism. Build a dam to take away water AWAY from 40 million people. Build a dam to pretend to BRING water to 40 million people. Who are these gods that govern us? Is there no limit to their powers?

Can the hungry go on a hunger strike? Non-violence is a piece of theatre. You need an audience. What can you do when you have no audience? People have the right to resist annihilation

With the certitude of a true believer, Vellya Paapen had assured the twins that there was no such thing in the world as a black cat. He said that there were only black cat chaped holes in the universe.

So here we have it. The equivocating distinction between civilisation and savagery, between the massacre of innocent people or, if you like, a clash of civilisations and collateral damage. The sophistry and fastidious algebra of infinite justice.

Some things come with their own punishments. Like bedrooms with built-in cupboards. They would all learn more about punishments soon. That they came in different sizes. That some were so big they were like cupboards with built-in bedrooms. You could spend your whole life in them, wandering through dark shelving.

May in Ayemenem is a hot, brooding month. The days are long and humid. The river shrinks and black crows gorge on bright mangoes in still, dustgreen trees. Red bananas ripen. Jackfruits burst. Dissolute bluebottles hum vacuously in the fruity air. Then they stun themselves against clear windowpanes and die, fatly baffled in the sun.

Memory was that woman on the train. Insane in the way she sifted through dark things in a closet and emerged with the most unlikely ones - a fleeting look, a feeling. The smell of smoke. A windscreen wiper. A mother's marble eyes. Quite sane in the way she left huge tracts of darkness veiled. Unremembered.

They would grow up grappling with ways of living with what happened. They would try to tell themselves that in terms of geological time it was an insignificant event. Just a blink of the Earth Woman's eye. That Worse Things had happened. That Worse Things kept happening. But they would find no comfort in the thought.

I do what I do, and write what I write, without calculating what is worth what and so on. Fortunately, I am not a banker or an accountant. I feel that there is a time when a political statement needs to be made and I make it.