Quotes from Deb Caletti

And because he was nice in the beginning did not mean he was a good man.

Here, kitty, kitty, Chico says. The cover of his cage is still on, making his tiny clown voice slightly muffled. I feel bad for him under there, just waiting to start his evil little day...Freud walks toward Chico in his slinky fashion, sits under his cage and just stares. We have satanic pets...our pets seem to have made a pact with the devil.

You wouldn't match Melanie and me up, and if we hadn't gotten stuck together as lab partners in junior high science, I doubt if we'd have matched us up either. I'm not sure why we even stuck, except that we each probably find the other to be entertaining...Besides I feel like it was a personal mission of mine to broaden Melanie's world, though I think she felt the same for me.

Someone walking toward you is such a simple, happy-to-be-alive thing.

The world was large, so large. Bigger than it had been before. Family, too, a bigger word. That felt like a good thing. An essential thing. There was power in numbers.

This is not to say I don't feel my own grief, which can hit powerfully at unexpected times. It's just that the telling does not automatically bring on my own upset, as people assume. I deal more with their reaction than they do with mine, and so you have to choose your timing.

You get to thinking that maybe the diving line shouldn't be animals and people but good and bad.

Onyx is angry," Damian says. "Onyx has a right to be angry. You've got to remember, for many elephants, their life is that of a human in a war-torn country. Ravaged homes, killed relatives, separation," Damian says. Here's another thing I've learned over two months--every elephants here has a sad story. Every captive elephant's story is one of loss and separation. Something to remember every time you see happy people getting elephant rides.

Thousands of years of tradition. People don't see the humanity that lies in the animals, same as people don't see the animal that is within humans. The first time I saw Jum, she was trying to lift her dead brother up with her trunk. She was trying to get him to stand again. She'd even stuffed grass in his mouth to try to get him to eat

We had lain together, skin on skin, been as close as two people could, and he was a stranger. He was that someone who you are afraid of as a child, stranger. They never told you that stranger might be someone you knew.

I know parental embarrassment usually stops somewhere at fifteen, but he just kept on giving me good reasons.

It was practically un-American to not set goals and then do everything you could, everything, to reach them. Quitting-it was a dirty word...

Truth was funny, because it was an insistent thing, maybe as powerful and insistent as some force of nature, the push of water or wind. You could keep it out only so long, but it had its own will and its own needs, and maybe you could keep it at bay with lies, but not for long, not for always.

I ignore the message from Jenna, who wants to talk about Kayla and what a bitch she is. I think she actually said "witch" in the voicemail, but if that's what she means, I don't see what a difference the vocabulary makes

Sometimes you can cattle rope your heart and sometimes you can't, is all.

She doesn't bother to tell him that he should not be sorry, that he is not responsible for any of those things. She doesn't bother because they are both chronic apologizers, and chronic apologizers know that sorry is also just sorrow for the general state of the world.

Whipped cream can remind you why it's good to be alive.

I didn't walk over and talk to him, though, not then. If I needed the time for a tree branch to become just a tree branch again and the wind to become just the wind, then a boy, most of all, needed some time to be only a boy.

She'd be one of those parents who left a kid behind at a rest stop, driving for miles before she noticed. We'd hear about her on the evening news.

Love in its purest form. Not television love, with its glare and hollow and sequined glint; not sex and allure, all high shoes and high drama, everything both too small and in too much excess. But just love. Love like rain, like the smell of a tangerine, like a surprise found in your pocket.

But, dear God, don't listen to me. I'm an old lady in the middle of nowhere without a real toilet.

He's alright. He's fine," Dad says, his usual line whenever Oliver gets hurt. It means: Go away. Don't baby him. Don't show too much compassion. The other dads do this too. It's some kind of group hysteria, based on some fatherly fear that says compassion equals homosexuality.

Fear was the biggest bullshitter, he'd said. But sometimes, too, fear told the truth.

Fate's got a fucking sick sense of humor. Fate is a shape-shifter. It's the kindest and most generous entity imaginable, laying out more goodness than a person deserves, and then it shrinks and curls and forms into something grotesque. You think its one thing, but then its another.