Quotes from Greg Ginn

I didn't want to wait around for some business entity to come around and give me money and tell me what to do. We just started releasing records as best we could.

The English scene got more media attention with their emphasis on fashion, with the safety pins and all. There were some really good bands over there. The Sex Pistols were great.

You have to keep the business side together as well as the creative side. We have constantly surprised people and stayed with bands until they have grown on people.

If people are really excited about their music, and that's their primary motivation, then that comes through in demo tapes. That's the most important ingredient.

We were excited when we sold our first 10 records. I always felt that if we could get the music out there, and if people became accustomed to it, then a substantial number of them would enjoy it.

I didn't have a lot of overtly political songs. I think it was more the actions of the group that were threatening to the authorities, and also our political philosophies apart from the music.

There are several books out on punk history, but I haven't read any of them. I was there.

We've gotten involved in cat rescue we take them in and find homes for them. I've always loved cats. I saw how homeless cats were living out there. We take them in, put out flyers.

There's not much music I'll listen to if it doesn't have pretty heavy swing. Rhythm is so important. Punk rock would have more power and feeling if it had swing.

We had a lot of riots. We came under attack from many of the police departments. It certainly wasn't some publicity thing. I was afraid for many years. We couldn't play in LA for many years. A lot of people got very cynical.

I still think the best metal bands have a blues feel. The first Black Sabbath album is kind of a bludgeoning of blues. Deep Purple also started out as a blues band.

It took us two years to get our first real gig. That was a big dream. We ended up booking a lot of our own gigs and putting on a lot of our own shows. We were trying to get our actual music across, trying to make a connection there.

The small companies who feel that the majors are a threat, or are predators, will use that as an excuse for their eventual downfall. Don't blame others for your own inadequacies.

Most good things happen with time; especially music, which needs time to breathe and to find its own way.

There aren't enough people who are scaring the kind of people who work at these record companies.

Black Flag was formed in 1977. We first recorded in 1978.

We're not good at propping up old carcasses. We want to be on top of what's vital at any particular time, and not just hold onto something because it has a name.

I listen to everything that comes in. I'm not real worried about demo sound quality. I can hear through that sort of thing. If a band can play, then they can play.

SST was formed to put out the first Black Flag record. Basically, there wasn't anyone else to do it. I felt that what I was doing with Black Flag was very worthwhile, and I wanted to get it out there.

The Minutemen were seen as more of an art thing than Black Flag, although I didn't see them that way. It confused people when we put out Saccharine Trust, too.

I like a lot of electronica. I like older jazz rather than newer.

People from major labels were afraid to go to Black Flag gigs throughout most of the band's existence. They treated our gigs as something threatening. I'm sure that it probably was. They probably had reasons to be scared.

The REM and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. REM and Nirvana don't sound like anyone else.

We aren't as concerned about the live aspect as other labels. The best live bands are the easiest to record.