Quotes from Peter Ackroyd

You say that it is time to shake off the Mist, but Mankind walks in a Mist; that Reason which you cry up as the Glory of this Age is a Proteus and Cameleon that changes its Shape almost in every Man: there is no Folly that may not have a thousand Reasons produc'd to advance it into the Class of Wisdom. Reason itself is a Mist.

There is a camaraderie that grows up among those who work with old books and old papers, largely, I suspect, because we understand that we are at odds with the rest of the world: we are travelling backwards, while all those around us are still moving forward.

There was no grandeur here, no sublimity, only weariness and gloom.

The embrace of present and past time, in which English antiquarianism becomes a form of alchemy, engenders a strange timelessness. It is as if the little bird which flew through the Anglo-Saxon banqueting hall, in Bede's Historia Ecclesiastica Gentis Anglorum, gained the outer air and became the lark ascending in Vaughan Williams's orchestral setting. The unbroken chain is that of English music itself.

Elaine turned to her father in her distress. 'Father will you give me permission to ride after Sir Lancelot? I must reach him. Otherwise I will go out of my mind with grief.' 'Go, good daughter. Rescue him, if you can.' So she made herself ready for the journey, weeping all the time. Gawain himself rode back to the court of the king in London" –The Fair Maid of Astolat

The gateway to the underworld is seen as part antiquity and part theatre. Welcome to the lower depths.

DYER. (Sits down) There was nothing that I recall save that the Sunne was a Round flat shining Disc and the Thunder was a Noise from a Drum or a Pan. VANNBRUGGHE. (Aside) What a Child is this! (To Dyer) These are only our Devices, and are like the Paint of our Painted Age. DYER. But in Meditation the Sunne is a vast and glorious Body, and Thunder is the most forcible and terrible Phaenomenon: it is not to be mocked, for the highest Passion is Terrour.

None of it seemed very real, but I suppose that's the trouble with history. It's the one thing we have to make up for ourselves.

sorrow was always the bedfellow of depravity.

lonely and isolated people who feel their solitude more intensely within the busy life of the streets. They are what George Gissing called the anchorites of daily life, who return unhappy to their solitary rooms.

Then as we passed down this Passage we were knocked against certain Women of the Town, who gave us Eye-language, since there were many Corners and Closets in Bedlam where they would stop and wait for Custom: indeed it was known as a sure Market for Lechers and Loiterers, for tho' they came in Single they went out by Pairs. This is a Showing-room for Whores, I said. And what better place for Lust, Sir Chris. replied, than among those whose Wits have fled?

Some drink to forget, I drink to remember. I drink in order to understand what I mean and to discover what I know. Under its benign influence all the stories and dramas which properly belong to the sphere of art are announced by me in conversation.

As the Houses tumbled upon the Streets with a great roaring Noise, they cryed out We are undone! We are great Sinners! and the like: and yet as soon as the Danger was passed, they came back with their: Hey ho the Devil is Dead! Eat, drink, and go merry to Bed! Thus the Sick confesse to their Contagion only when they are like to Die of it, even tho' they carry their Death with them every where.

I asked him what he said, for there was such a mish-mash of Conversation around us that I could scarcely understand him - the frequenters of Taverns have Hearts of Curd and Souls of Milk Sop, but they have Mouths like Cannons which stink of Tobacco and their own foul Breath as they cry What News? What's a Clock? Methinks it's Cold to Day! Thus is it a Hospital For Fools

This mundus tenebrosus, this shaddowy world of Mankind, is sunk into Night; there is not a Field without its Spirits, nor a City without its Daemons, and the Lunaticks speak Prophesies while the Wise men fall into the Pitte.

Yet the stomach for war breeds an appetite for money.

Glass is material sea.

Never be curious. It is the path to perdition.

absinthe removes the bitter taste of failure and grants me strange visions which are charming principally because they cannot be written down. Only in absinthe do I become entirely free and, when I drink it, I understand the symbolic mysteries of odour and of colour.

And when the Duke of Alva ordered three hundred Citizens to be put to Death together at Antwerp, a Lady who saw the Sight was presently afterwards deliver'd of a Child without a Head. So lives the Power of Imagination even in this Rationall Age.

It might be compared to some organism which sloughs off its old skin, or texture, in order to live again. It is a city which has the ability to dance upon its own ashes.

There are those who say further that these are meer Dreames and no true Relations, but I say back to them: look upon my Churches in the Spittle-fields, in Limehouse, and now in the Parish of Wapping Stepney, and do you not wonder why they lead you into a darker World which on Reflection you know to be your own? Every Patch of Ground by them has its Hypochondriack Distemper and Disorder; every Stone of them bears the marks of Scorching by which you may follow the true Path of God.

Insecurity of the spirit demands completeness elsewhere.

I need to know when,' he said, 'In this case when is more important than how. Do you have a time-table?' For although images of this murder now surrounded him, and the parts of the body had become emblems of pursuit, violence and flight, they were as broken and indistinct as the sounds of a quarrel in a locked room.