Quotes from Aidan Gillen

To start, I wasn't really interested in acting at all, and I didn't make much impact. The first play I was in was on for five nights and I didn't show up for two of them and nobody noticed. But I stayed because that's where my friends were, and after a while I found myself wanting to inhabit other people's worlds and lives.

I suppose there are actors who are worried about their public image. But I've never had any trouble playing unpleasant characters. It is only a part. Which is why you do it -because you are interested in exploring something you never could or would be.

It's always more interesting to take on someone that's going to have hidden sides or a fatal flaw, because there's going to be more to play with - more conflict, internally or in and around them - but it's probably the thing of finding the positive in there.

I try to keep my integrity. I don't want to be in 'Hello!' or on 'Celebrity Big Brother.'

People say 'The Wire's bleak, y'know, but I see it as a love letter to Baltimore, and it's one written in a very strange and complex way.

I have Googled myself, yeah, I think everybody has. I try not to make a habit of it - in fact I made a rule once never to Google myself, which made me happy.

There was a year between school and getting going as an actor when I basically just watched films. Video shops were the new thing, and there was a good one round the corner and me and my brother just watched everything, from the horror to the European art-house.

It's nice to have a few names. I use a few names myself. I use a few different surnames. I call myself James sometimes. I actually use my mother's name as a professional name. But if someone calls me Mr. Murphy or Mr. Gillen, I don't like that. I don't like being called 'mister,' and I don't like being called 'sir.'

My own rapping skills are quite good, actually. You get this thing, I think it's called Songify or AutoRap, and you talk into them, and they auto-tune it and make it into a quite interesting musical number. And I got one where it builds it into a rap.

I myself started out quite young; when you're working, professionally, even if you are in your teens, you just want to be treated the same as everybody else. You just want people to see you as an actor and not as a kid.

I've probably had my best time acting - or not acting, or trying to not act - on things like 'The Low Down' or 'Treacle Jr.' I'm happiest doing things like that. Not just because they're lead roles, but because there's more freedom in them.

I really like coming-of-age dramas. It's probably the most intense period in anyone's life, those years before you become an adult. Dramatically, there's so much to explore there. And it's nice to be around young talent coming through.

I hope it's not all I'll ever do, but I know I've played enigmatic characters. For me, the good characters are people who get places, are devious, are cunning and tricky and hard to pin down. Obviously, if you play one and you do an okay job of it, that'll be on people's minds.

It's always a good idea to let the audience make up their own minds.

I've made a point of trying not to play the same part and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year, and people have forgotten you. If you like having time off, which I do, that's a good career strategy. Or at least, it's my strategy to keep my head together.

So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.

Because work takes up a lot of time, you have to choose your moments for really letting rip. I hang out with my friends and my family and I spend time with my kids when I'm not working. They don't see my being an actor as exotic. For them, it's just an everyday thing. Sometimes it's amusing to them and other times, embarrassing.

I do consider how I spend my time off carefully because I've got two kids.

I didn't want to go to college or work in an office or have a nine-to-five job. I knew that quite clearly before I left school.

I don't like DVD extras. No. Especially when they do things like put out alternative endings? I find all of that a little bizarre, because there should only be one ending. I don't like to be told, 'Oh, we could have had it this way,' for the director's cut.

There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.

It seems to me that most characters, in anything, are flawed in some way, just like most people. You look for the good in the flawed people and vice versa, and then try and make them appealing in some way.

The first time I played a killer, in the 1997 film 'Mojo,' I went to my local video shop and got out a video of real executions and a history of the Third Reich. The guy in the shop was giving me a look. I thought this would help, but I don't think it made any difference, and I don't want to see any more executions.