Quotes from Bharati Mukherjee

I had never walked on the street alone when I was growing up in Calcutta, up to age 20. I had never handled money. You know, there was always a couple of bodyguards behind me, who took care if I wanted... I needed pencils for school, I needed a notebook, they were the ones who were taking out the money. I was constantly guarded.

The traveler feels at home everywhere, because she is never at home anywhere.

There was no audience for my books. The Indians didn't regard me as an Indian and North Americans couldn't conceive of me of a North American writer, not being white and brought up on wheat germ. My fiction got lost.

As a bookish child in Calcutta, I used to thrill to the adventures of bad girls whose pursuit of happiness swept them outside the bounds of social decency. Tess of the d'Urbervilles, Emma Bovary and Anna Karenina lived large in my imagination. The naughty girls of Hollywood films flirted and knew how to drive.

My life has gotten a little more complicated than my ability to describe it. That used to be the definition of madness, now it's just continuous overload.

What was the duty of the teacher if not to inspire?

I truly appreciate the special qualities that America and American national myths offer me.

I don't feel the depression the people who are always looking back to the '50s, to 'Father Knows Best' feel. I can see the coming of another glorious era.

Through my fiction, I make mainstream readers see the new Americans as complex human beings, not as just 'The Other.'

I thought of America as Natalie Wood and Bob Wagner sprawled on the edge of a Hollywood swimming pool biting into the same red apple.

My first novel, 'The Tiger's Daughter,' embodies the loneliness I felt but could not acknowledge, even to myself, as I negotiated the no man's land between the country of my past and the continent of my present.

We do things when it is our time to do them. They do not occur to us until it is time; they cannot be resisted, once their time has come. It's a question of time, not motive.

I flew into a small airport surrounded by cornfields and pastures, ready to carry out the two commands my father had written out for me the night before I left Calcutta: Spend two years studying creative writing at the Iowa Writers' Workshop, then come back home and marry the bridegroom he selected for me from our caste and class.

I had a 2-week courtship with a fellow student in the fiction workshop in Iowa and a 5-minute wedding in a lawyer's office above the coffee shop where we'd been having lunch that day. And so I sent a cable to my father saying, 'By the time you get this, Daddy, I'll already be Mrs. Blaise!'

The United States exists as a sovereign nation. 'America,' in contrast, exists as a myth of democracy and equal opportunity to live by, or as an ideal goal to reach.

I have to put down roots where I decide to stay. It wasn't enough for me to be an expatriate Indian in Canada. If I can't feel that I can make social, political and emotional commitments to a place, I have to find another place.

I had never walked on the street alone when I was growing up in Calcutta, up to age 20. I had never handled money. You know, there was always a couple of bodyguards behind me, who took care if I wanted... I needed pencils for school, I needed a notebook, they were the ones who were taking out the money. I was constantly guarded.

I had a 2-week courtship with a fellow student in the fiction workshop in Iowa and a 5-minute wedding in a lawyer's office above the coffee shop where we'd been having lunch that day. And so I sent a cable to my father saying, 'By the time you get this, Daddy, I'll already be Mrs. Blaise!'

As a bookish child in Calcutta, I used to thrill to the adventures of bad girls whose pursuit of happiness swept them outside the bounds of social decency. Tess of the d'Urbervilles, Emma Bovary and Anna Karenina lived large in my imagination. The naughty girls of Hollywood films flirted and knew how to drive.

One time you mentioned the loneliness inside of marriage and I did not understand what you were saying. Two people are together; they have come from the same place; they share the same values, the same language. Practically speaking, they are the two halves of one consciousness. They eat the same food; they have a child; they sleep in the same bed, how can they be lonely.

Humor's the hardest thing to translate.

It's making life important, making a single life important, rather than having a prescription for the global ills which afflict us.

Love on the decline is hard to tell from love on the rise." [From 'The Lady from Lucknow']

The world is divided between those who stay and those who leave.