Quotes from Michael Cunningham

If she were religious, she would call it the soul. It is more than the sum of her intellect and her emotions, more than the sum of her experiences, though it runs like veins of brilliant metal through all three. It is an inner faculty that recognizes the animating mysteries of the world because it is made of the same substance

He believes that a real work of art can be owned but should not be subject to capture; that it should radiate such authority, such bizarre but confident beauty (or unbeauty) that it can't be undone by even the most ludicrous sofas or side tables. A real work of art should rule the room, and the clients should call up not to complain about the art but to say that the art has helped them understand how the room is all a horrible mistake, can Peter suggest a designer to help them start over again.

Oh, Mrs. Dalloway. Always giving parties to cover the silence.

It's better, really, to go out in a blaze. That's why we love Marilyn, and James Dean. We love the ones who walk right into the fire.

The point of sex is... Sex doesn't have a point.

He's one of those smart, drifty young people who, after certain deliberations, decides he wants to do Something in the Arts but won't, possibly can't, think in terms of an actual job; who seems to imagine that youth and brains and willingness will simply summon an occupation, the precise and perfect nature of which will reveal itself in its own time.

Her cake is a failure, but she is loved anyway. She is loved, she thinks, in more or less the way the gifts will be appreciated: because they have been given with good intentions , because they exist, because they are part of a world in which one wants what one gets.

You know, if you're hopeful, if you're even a little bit happy about something that might happen, it doesn't affect the outcome. You could still give yourself a period of optimism, even if it all falls apart.

The vestibule door opens onto a June morning so fine and scrubbed Classira pauses at the threshold as she would at the edge of a pool, watching the turquoise water lapping at the tiles, the liquid nets of sun wavering in the blue depths. As if standing at the edge of a pool she delays for a moment the plunge, the quick membrane of chill, the plain shock of immersion.

If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I cant go on spoiling your life any longer. I dont think two people could have been happier than we have been.

That summer when she was eighteen, it seemed anything could happen, anything at all.

Most of us can be counted on to manage our own undoings.

He knows about damage the way a woman does. He knows, the way a woman knows, how to carry on as if nothing's wrong.

He is still, at times, astonished by her. She may be the most intelligent woman in England, he thinks. Her books may be read for centuries.

You know what I am? he says. What? I'm an ordinary person. Come on. I know. Who isn't an ordinary person? How horribly presumptuous to want to be anything else. But I have to tell you. I've been treated as something special for so long and I've tried my hardest to be something special but I'm not, I'm not exceptional, I'm smart enough, but I'm not brilliant and I'm not spiritual or even all that focused. I think I can stand that, but I'm not sure if the people around me can.

Peter glances out at the falling snow. Oh, little man. You have brought down your house not through passion but by neglect. You who dared to think of yourself as dangerous. You are guilty not of the epic transgressions but the tiny crimes. You have failed in the most base and human of ways - you have not imagined the lives of others.

Any other vexations to report? he asks. I love the word 'vexations.' It's the 'x.' Nice to jump off a 'v' and bite into an 'x' like that. Just the usual ones, she says. How was the weekend? Vexing. Not really, I just wanted to say it. You?

She has failed. She wishes she didn't mind. Something, she thinks, is wrong with her.

One always has a better book in one's mind than one can manage to get onto paper.

The implication of this particular tale is: Trust strangers. Believe in magic.

We worship numberless gods or idols, but we all need to be the grandest possible versions of ourselves, we need to walk across the face of the earth with as much grace and beauty as we can muster before we're wrapped in our winding sheets, and returned.

The art we produce lives in queasy balance with the art we can imagine the art the room expects.

What he remembers with perfect clarity is sitting on a train headed for Madrid, feeling the sort of happiness he imagines spirits might feel, freed of their earthly bodies but still possessed of their essential selves.

Silly humans. Banging on a tub to make a bear dance when we would move the stars to pity.