Quotes from Paul S. Kemp

The anti-hero walks the morally gray path and constantly flirts with redemption, and that flirtation is just a blast to write.

I don't actually do anything special to get in the proper frame of mind for creepy/heinous scenes.

I suppose the textbook definition of an anti-hero is pretty straightforward - a protagonist who embodies not only heroic characteristics but also some characteristics typically deemed non-heroic, even villainous.

The human mind has infinite capacity to rationalize, and evil characters just push that boundary a bit. Whatever they're doing, they think it makes sense to do it, and they think they have a good reason to do it. In short, they feel justified.

My favorite film is 'The Empire Strikes Back.' My writing, and my personal taste in movies and books, tends toward works with a darker tone, and 'Empire' fits that the best of all the movies.

I try to pester Christian Dunn from time to time. As soon as my schedule allows, I plan to make a real pest of myself and get some hot, slippery Chaos action.

I'm unstuck in time. Also, I juggle like mad and have made myself efficient.

I don't do 'political correctness,' whatever that means. I write the stories I want to write, featuring the characters I want to feature. I don't touch demographic bases to appease this group or that. I write what I want. Full stop.

Luke and Vader's light saber duel in 'Return of the Jedi' gives me chills every time. Even the still photo of the two of them in silhouette, sabers crossed, gives me a rush.

I think my best quality as a writer is the ability to craft complicated, nuanced, interesting characters.

[Writing] is harder than you think. You'll be rejected often. If you do it for money, you'll quit. Love it or don't do it.

I always say that characters must drive plots, never the reverse. Writing about large-scale events creates the risk that the scope of the events themselves can overwhelm the characters. I emphatically do not want that. That was the only trepidation I felt when I started 'The Twilight War.'

For me, 'The Hobbit' is an object lesson in storytelling, both in terms of characterization and story structure. It is an exemplar of storytelling in that regard.

It's true that 'Lords of the Sith' has a lesbian character. Her orientation is a characteristic in the same way as is her brunette hair. It just fit with my conception of her.

My favorite class as an undergraduate was a political theory class on justice. Now, 'justice' is hardly a self-defining term, and much smarter men than I have developed various definitions over the centuries. The class put Plato at one end and Nietzsche at the other, and off we went.

Original work has no floor and no ceiling. You can reach essentially zero readers or millions.

I always work from outline and almost always write out of sequence. It just works for me.

I'm a transactional lawyer, which involves a lot of negotiation. If nothing else, that's given me a good eye for human motivation and frequent case studies in peculiar psychological quirks. I think that's served me fairly well as a writer.

Fantasy allows for less rigorous worldbuilding and more vigorous exploration of moral questions. Sci-fi is opp.

I fight because that is what I was made to do and the Empire is the instrument through which I realize my purpose. The Empire is war made manifest. That is why it is perfect.

Dissent has been crushed, and freedom is a memory, all in the name of peace and order.

A woman's thoughts are always weapons. And all men are monsters in their hearts.

The past is a ghost that haunts us. Ghosts must be banished.

Tests make us stronger, and strength is power, and power is the point. We must pass all the tests we face.