Quotes from Virginia Woolf

No doubt we should be, on the whole, much worse off than we are without our astonishing gift for illusion.

the thought process: It swayed, minute after minute, hither and thither among the reflections and the weeds, letting the water lift it and sink it, until - you know the little tug - the sudden conglomeration of an idea at the end of one's line: and then the cautious hauling of it in, and the careful laying of it out? p.5

She would not have cared to confess how infinitely she preferred the exactitude, the star-like impersonality, of figures to the confusion, agitation, and vagueness of the finest prose.

Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow-underwing asleep in the shadow of the curtain never fails to rouse in us. They are hybrid creatures, neither gay like butterflies nor sombre like their own species. Nevertheless the present specimen, with his narrow hay-coloured wings, fringed with a tassel of the same colour, seemed to be content with life.

It is the duty of the writer to describe.

being an artist: And this susceptibility of theirs is doubly unfortunate , I thought, returning again to my original enquiry into what state of mind is propitious for creative work, because the mind of an artist, in order to achieve to the prodigious effort of freeing whole and entire the work that is in him, must be incandescent, like Shakespeare's mind, I conjectured, looking at the book which lay open at Antony and Cleopatra. There must be no obstacle in it, no foreign matter unconsumed.

I want to raise up the magic world all round me and live strongly and quietly there.

For nothing matters except life; and, of course, order.

To upset everything every 3 or 4 years is my notion of a happy life.

It is so beautiful, so exciting, this love, that I tremble on the verge of it, and offer, quite out of my own habit, to look for a brooch on a beach; also it is the stupidest, the most barbaric of human passions, and turns a nice young man with a profile like a gem's (Paul's was exquisite) into a bully with a crowbar (he was swaggering, he was insolent) in the Mile End Road.

So the days pass and I ask myself sometimes whether one is not hypnotised, as a child by a silver globe, by life; and whether this is living. It's very quick, bright, exciting. But superficial perhaps. I should like to take the globe in my hands and feel it quietly, round, smooth, heavy, and so hold it, day after day. I will read Proust I think. I will go backwards and forwards.

Thinking was torment; why not give up thinking, and drift and dream?

Punctuality is one of the minor virtues which we do not acquire until later in life.

Perhaps it was better not to see pictures: they only made one hopelessly discontented with one's own work.

I ask, if I shall never see you again and fix my eyes on that solidity, what form will our communication take? You have gone across the court, further and further, drawing finer and finer the thread between us. But you exist somewhere. Something of you remains.

For centuries the writing-desk has contained sheets fit precisely for the communication of friends. Masters of language, poets of long ages, have turned from the sheet that endures to the sheet that perishes, pushing aside the tea-tray, drawing close to the fire (for letters are written when the dark presses around a bright red cave), and addressed themselves the task of reaching, touching, penetrating the individual heart.

It was odd, she thought, how if one was alone, one leant to inanimate things; trees, streams, flowers; felt they expressed one; felt they became one; felt they knew one, in a sense were one; felt an irrational tenderness thus (she looked at that long steady light) as for oneself. There rose, and she looked and looked with her needles suspended, there curled up off the floor of the mind, rose from the lake of one's being, a mist, a bride to meet her lover.

Here sitting on the world, she thought, for she could not shake herself from the sense that everything this morning was happening for the first time, perhaps for the last time, as a traveller, even though he is half asleep, knows, looking out of the train window, that he must look now, for he will never see that town, or that mule-cart, or that woman at work in the fields, again.

For the eye has this strange property: it rests only on beauty.

For ourselves, who are ordinary men and women, let us return thanks to Nature for her bounty by using every one of the senses she has given us.

Now then is my chance to find out what is of great importance, and I must be careful, and tell no lies.

Who would not spout the family teapot in order to talk with Keats for an hour about poetry, or with Jane Austen about the art of fiction?

Oh, to awake from dreaming!

Emerged from the tentative ways, the obscurities and dazzle of youth, we look straight in front of us, ready for what may come (the door opens, the door keeps on opening). All is real; all is firm without shadow or illusion. Beauty rides our brows.