Quotes from James Joyce

He turned to appease the fierce longings of his heart before which everything else was idle and alien. He cared little that he was in mortal sin, that his life had grown to be a tissue of subterfuge and falsehood.

I will not serve that in which I no longer believe, whether it call itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use-- silence, exile, and cunning.

His words were then these as followeth: Know all men, he said, time's ruins build eternity's mansions. What means this? Desire's wind blasts the thorntree but after it becomes from a bramblebush to be a rose upon the rood of time. Mark me now. In woman's womb word is made flesh but in the spirit of the maker all flesh that passes becomes the word that shall not pass away. This is the postcreation. Omnis cam ad te veniet

The music passed in an instant, as the first bars of sudden music always did, over the fantastic fabrics of his mind, dissolving them painlessly and noiselessly as a sudden wave dissolves the sandbuilt turrets of children.

His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before. He saw her urge her vanities, her fine dress and sash and long black stocking, and knew that he had yielded to them a thousand times.

Rapid motion through space elates one; so does notoriety; so does the possession of money.

He used to call her Poppens out of fun.

I will tell you also what I do not fear. I do not fear to be alone or to be spurned for another or to leave whatever I have to leave. And I am not afraid to make a mistake, even a great mistake, a lifelong mistake, and perhaps as long as eternity too.

There is an art in lighting a fire. We have the liberal arts and we have the useful arts. This is one of the useful arts.

But he was not sick there. He thought that he was sick in his heart if you could be sick in that place.

Any object, intensely regarded, may be a gate of access to the incorruptible eon of the gods.

Non servirò ciò in cui non credo più, si chiami questo la casa, la patria o la Chiesa: e tenterò di esprimere me stesso in un qualunque modo di vita o di arte quanto più potrò liberamente e integralmente, adoperando per difendermi le sole armi che mi concedo di usare: il silenzio, l'esilio e l'astuzia.

I fear more than that the chemical action which would be set up in my soul by a false homage to a symbol behind which are massed twenty centuries of authority and veneration.

If my Spreadeagles Wasn't so Tight I'd Loosen my Cursits on that Bunch of Maggiestraps...

Will ye, ay or nay?

To live, to err, to fall, to triumph, to recreate life out of life! A wild angel had appeared to him, the angel of mortal youth and beauty, an envoy from the fair courts of life, to throw open before him in an instant of ecstasy the gates of all the ways of error and glory. On and on and on and on!

A world, a glimmer or a flower? Glimmering and trembling, trembling and unfolding, a breaking light, an opening flower, it spread in endless succession to itself, breaking in full crimson and unfolding and fading to palest rose, leaf by leaf and wave of light by wave of light, flooding all the heavens with its soft flushes, every flush deeper than the other.

O the grey dull day! It seemed a limbo of painless patient consciousness through which souls of mathematicians might wander, projecting long slender fabrics from plane to plane of ever rarer and paler twilight, radiating swift eddies to the last verges of a universe ever vaster, farther and more impalpable.

For that (the rapt one warns) is what papyr is meed of, made of, hides and hints and misses in prints.

No man, said the Nolan, can be a lover of the true or the good unless he abhors the multitude; and the artist, though he may employ the crowd, is very careful to isolate himself.

The esthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of esthetic, like that of material creation, is accomplished. The artist, like the God of creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

He passes, struck by the stare of truculent Wellington but in the convex mirror grin unstruck the bonham eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy.

Words which he did not understand he said over and over to himself till he had learnt them by heart: and through them he had glimpses of the real world about them.

You have asked me what I would do and what I would not do. I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe whether it call itself my home, my fatherland or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use -- silence, exile, and cunning.