Quotes from Robin Zander

I'm a chameleon. That's my personality in the band.

I think we've got three that we have to play, and that would be 'Surrender,' 'Dream Police' and 'I Want You to Want Me.'

I remember Robert Plant coming backstage after the first show saying, 'Hey, boys, I should be opening for you.' That felt pretty good.

I could do James Taylor, Neil Young, and sound just like them.

I think all of our records are a progression of some sort.

We keep some distance between ourselves when we're not working. I think that's a really good thing.

My father was indeed a musician, but he was a weekend warrior. He was a welder, actually, and worked all his life at the Ironworks in Beloit Wisconsin, and he played in a swing band on weekends.

It's rare that anybody gets in the Hall of Fame, and to be nominated is good enough for me.

I'd say it's harder to play with an acoustic guitar strapped over your shoulder for a few hundred people than it is to play in front of thousands with an entire bombastic band behind you.

We've been around, and we've stayed around, and we go out, and people still enjoy listening to us, and we still sell a lot of tickets, so what do I got to complain about? Nothing.

I think maybe we were just a little bit overdone. It was saturated. People may have gotten tired of us. We were everywhere, all the time.

'Dream Police' was in the can and ready to go when 'Budokan' started taking off worldwide, sales-wise.

Country music is worldwide - it's not just Nashville and Texas.

I always liked that about bands like the Beatles. They could be so touching at one moment and then 'Helter Skelter' the next.

We're from Rockford, Illinois, but we've always thought international.

Opening for certain acts after so many years of headlining obviously made us resentful. It was kind of hard watching all these bands, who I really believed didn't deserve to be on top musically, going ahead and pushing us out.

As far as Cheap Trick albums, I like the Red Ant record, which is just called 'Cheap Trick,' from 1997; that's my second-favorite album.

To me, it's like, what's good for me is good for Cheap Trick... and what's good for Rick is good for Cheap Trick, and so on... and that's the thing.

Bun E.'s a member of the band, but he's not touring, and he's not recording... We've had our differences, but we're all settled up now, and hopefully we can forget about that era. These decisions that Cheap Trick makes, Bun E. is part of.

I've completely embraced life in Florida after growing up in the Midwest. This is home for me.

Each record is sort of like a brand new baby, where it's your favorite thing at that moment in time.

We've always been kind of an underground band in a way that had the respect of our peers on the road. I like to say we're the world's most famous opening act because we've opened for every huge band on the planet.

After all these years, I still get nervous in front of people. I can't help it. I just, you know, I want it to be a good show, and I want people to get their money's worth.

Some people ask why we bother to make new music, but we still love doing it.