Quotes from J. M. G. Le Clezio

To understand the hidden secret of the modern industrial world in which I find myself, I have to return to another world. That world is at once wartime Nice and the plantation - the sugar isles on which Europe's prosperity was built.

The writer, the poet, the novelist, are all creators. This does not mean that they invent language; it means that they use language to create beauty, ideas, images. This is why we cannot do without them.

I'm used to shifting languages because my father used to speak to us, to my brother and I, he used to speak in English. He wanted us to be quite fluent in English, especially when he was trying to correct our behavior; he would do that in English.

I grew up in a Mauritian bubble in France... I had the feeling of not belonging, but still living with French culture.

I've always felt very much from a mixed culture - mainly English and French, but also Nigerian, Thai, Mexican. Everything's had its influence on me.

Language is the most extraordinary invention in the history of humanity, the one which came before everything and which makes it possible to share everything.

To act: that is what the writer would like to be able to do, above all. To act, rather than to bear witness. To write, imagine, and dream in such a way that his words and inventions and dreams will have an impact upon reality, will change people's minds and hearts, will prepare the way for a better world.

A writer is not a prophet, is not a philosopher; he's just someone who is witness to what is around him. And so writing is a way to... it's the best way to testify, to be a witness.

Reading is a free practice. I think the readers are free to begin by the books where they want to. They don't have to be led in their reading.

The novelist, he's not a philosopher, not a technician of spoken language. He's someone who writes, above all, and through the novel asks questions.

I have the feeling of being a very small item on this planet, and literature enables me to express that.

My English is closer to the literary English, and I'm not very familiar with jokes in English or with, you know, with small talk in English.

I can understand better than most the contradiction between the idealistic civilisation and religious morals of Europe and what they did with the slaves, because the root of the evil is only two generations away from me. Maybe this has fed my need to fight against the abuses of modern civilisation.

When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.

I enjoy very much being in a foreign country, in a new country, new place. And I enjoy also beginning a new book. It's like being someone else.

If I examine the circumstances which inspired me to write - and this is not mere self-indulgence, but a desire for accuracy - I see clearly that the starting point of it all for me was war.

The shadows of the hills and rocks grew long in the valley bottom. But the guide didn't seem to notice. Sitting very still, his back leaning against the wall of the tomb, he had no sense of the passing day, or hunger, or thirst. He was filled with a different force, from a different time that had made him a stranger to the order of man. Perhaps he was no longer waiting for anything, no longer knew anything, and now he resembled the desert – silence, stillness, absence.