Quotes from D.H. Lawrence

He felt the devil twisting his tail, and pretended it was the angels smiling on him.

She was old; millions of years old, she felt.

Whatever life may be, and whatever horror men have made of it, the world is a lovely place, a magic place, something to marvel over. The world is an amazing place.

Was it just that? She was to be content to weave a steady life with him, all one fabric, but perhaps brocaded with the occasional flower of an adventure. But how could she know what she would feel next year? How could one ever know? How could one say Yes? for years and years? The little yes, gone on a breath! Why should one be pinned down by that butterfly word? Of course it had to flutter away and be gone, to be followed by other yes's and no's! Like the straying of butterflies.

He had reached the point where all he wanted on earth was to be alone.

The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.

Destroy! destroy! destroy! hums the under-consciousness. Love and produce! Love and produce! cackles the upper consciousness. And the world hears only the Love-and- produce cackle. Refuses to hear the hum of destruction under- neath. Until such time as it will have to hear.

They say the sea is cold, but the sea contains the hottest blood of all.

There was nothing now but this empty treadmill of what Clifford called the integrated life, the long living together of two people, who are in the habit of being in the same house with one another. Nothingness! To accept the great nothingness of life seemed to be the one end of living. All the many busy and important little things that make up the grand sum-total of nothingness!

I want to be gone out of myself, and you to be lost to yourself, so we are found different.

She lost her illusions in the collapse of her sympathies.

She looked at her roses. They were white, some incurved and holy, others expanded in an ecstacy. The tree was dark as a shadow. She lifted her hand impulsively to the flowers; she went forward and touched them in worship.

His defences were all in his wits and cunning, his very instincts of cunning, and when these were abeyance he seemed doubly naked and like a child, of unfinished, tender flesh, and somehow struggling helplessly

A man has no religion who has not slowly and painfully gathered one together, adding to it, shaping it; and one's religion is never complete and final, it seems, but must always be undergoing modification.

In every living thing there is the desire for love.

If only you could tell them that living and spending isn't the same thing.

Religion was fading into the background. He had shovelled away all the beliefs that would hamper him, had cleared the ground, and come more or less to the bedrock of belief that one should feel inside oneself for right or wrong, and should have the patience to gradually realise one's God. Now life interested him more.

He doesn't have feelings, he only has streams of words about feelings.

Somewhere, deep down him, he was scared, he was born scared. And those who are born with fear are natural slaves, whose profund instint leads to dread, with poisonous fear, all of those who suddenly can possibly cut loose the slave colar around their necks.

As the years drew on it was the fear of nothingness in her life that affected her.

I fear my enthusiasm flags when real work is demanded of me.

Art has two great functions. First, it provides an emotional experience. And then, if we have the courage of our own feelings, it becomes a mine of practical truth. We have had the feelings ad nauseam. But we've never dared dig the actual truth out of them, the truth that concerns us, whether it concerns our grandchildren or not.

The day was gone, the twilight was gone, and the snow was invisible as I came down to the side of the lake. Only the moon, white and shining, was in the sky, like a woman glorying in her own loveliness as she loiters superbly to the gaze of all the world, looking sometimes through the fringe of dark olive leaves, sometimes looking at her own superb, quivering body, wholly naked in the water of the lake.

The optimist builds himself safe inside a cell and paints the inside walls sky-blue and blocks up the door and says he's in heaven.