Quotes from Kevin Brockmeier

You have a pet theory, one you have been turning over for years, that life itself is a kind of Rube Goldberg device, an extremely complicated machine designed to carry out the extremely simple task of constructing your soul.

The living carry us inside them like pearls. We survive only so long as they remember us.

There was no one alive who did not contribute his share of mystery to the world.

But love doesn't always generate hope. Anyone who has ever experienced love knows that you can have too much love or too little. You can have love that parches, love that defeats. You can have love measured out in the wrong proportions. It's like your sunlight and water--the wrong kind of love is just as likely to stifle hope as it is to nourish it.

It's like you're born with all these blessings, only you don't realize they're blessings until you lose them. And if you're thick-headed enough, like me, you don't even realize you've lost them, not until they come back to you.

Who was it who said that every virtue contains its corresponding vice? C.S. Lewis? Virginia Woolf? You forget. But it has always worried you that what the virtue of wit contained was the vice of scorn.

Sometimes I remember the way I used to be," she said as we sat across the table from each other, "and I'm surprised nobody ever smacked me." I took a long sip of my coffee so that I would not have to answer her. I wanted to tell her that she ought to be more generous to the girl she used to be, if not out of respect for herself, then out of respect for me, or more specifically for the boy I used to be, who loved that girl, after all.

Was that what it meant to be alive - moving from a brightly lit corridor into a darkened room at every step? Sometimes it felt that way.

She had the same responsibility as everybody else did: to live as softly as she could in the world.

For a long time that had seemed to her to be the key to life: Life--real life--was just a solitude waiting to be transfigured.

Olivia had changed so much since then. She had changed in ways she would never have been able to anticipate. She had become the kind of person who was barely able to get out of bed in the morning without buckling beneath the tidal pull of the planets.

Worry is a mean-faced dwarf who beats on your heart like a kettledrum.

People who read D.H. Lawrence suspect that the forbidden is not necessarily without its virtue, and so are easily persuaded that the forbidden and the virtuous are one and the same.

From some infinite distance, ten thousand twists of light are suddenly projected into your eyes. You watch as they shimmer and tighten together like the hooks of metal in a tangle of barbed wire. More and more of them appear, filling in the gaps one by one, and soon you are conscious of nothing else. What would the sky be like if there was nothing to see but stars? You know that you will not experience anything so beautiful again.

They were like those deep-sea creatures with watery, transparent skin: you could see the soft little jerking beans of their hearts, you understood that the very thing that was supposed to protect them was the thing that made them vulnerable, and you knew you couldn't help them, so you decided to love them instead.

She bought a poster of the Beatles and tacked it on the wall above her bed. On days when she was feeling strong her favorite was John, and on days when she was feeling weak her favorite was George, perhaps because there was a vulnerability to John that she was afraid to indulge without an armor of her own vitality around her.

He has always been the kid who cries too easily and laughs too easily, the kid who begins giggling in church for no reason at all, who blinks hotly in shame and frustration whenever he misses a question in class, living in an otherland of sparkling daydreams and imaginary catastrophes.

People who read Anne Lamott, like people who read Anne Rice, believe that tragedy is romantic, but the people who read Anne Lamott believe it ironically.

I keep an ongoing list of my fifty favorite books, which I recalibrate whenever I discover a new one that seems to demand a spot there.