Quotes from Cornell Woolrich

It wasn't an attack. We'd been together too many times before, made love together too many times before, for it to be that. It was just that fear had suddenly entered, and made us dangerous strangers. ("New York Blues")

You haven't any right to expect your friends to be larger than yourself, larger than life. Just take them as they are, cut down to average size, and be glad you have them. To drink with, laugh with, borrow money from, lend money to, stay away from their special girls as you want them to stay away from yours, and above all, never break your word to, once it's been given. And that is all the obligation you have, all you have the right to expect. ("New York Blues")

All guys are scared of each other, didn't you know that? I'm not the only one. We're all born afraid. ("New York Blues")

One of them hasn't got a uniform on or plainclothes either like the rest. He has on the white coat that is my nightmare and my horror. And in the crotch of one arm he is upending two long poles intertwined with canvas. The long-drawn-out death within life. The burial-alive of the mind, covering it over with fresh graveyard earth each time it tries to struggle through to the light. In this kind of death you never finish dying. ("New York Blues")

It isn't dying I'm afraid of, it isn't that at all; I know what it is to die, I've died already. It is the endless obliteration, the knowledge that there will never be anything else. That's what I can't stand, to try so hard and to end in nothing. You know what I mean, don't you? ... I really loved to write.

That's a man's vital spot, the helpless thing he loves. ("Jane Brown's Body")

That air of electric tension, of a great city on the edge of an abyss, is more noticeable than ever at the White Russian cabaret called, not inappropriately, "New York." You wouldn't know you were in China. An almond-eyed platinum-blonde has just finished wailing, with a Mott Street accent, "You're gonna lose your gal." ("Jane Brown's Body")

She was the kind of shopkeeper who finishes the paragraph she is reading before waiting on the customer.

You his brother?' 'Yes, damn it!' I burst out. "And all I want is to get my hands on whoever did this to him!' 'Funny,' said a dick dryly, 'but so do we.' I didn't like him much after that. Sarcasm is out of place when a man has just been brought face to face with personal tragedy. ("Walls That Hear You")

We don't marry women, he thought; we marry angels, and in this moment or two of the marriage act, the scales fall from our eyes and we see them as they really are, perhaps never to glimpse it again. How lovely she is, how unearthly lovely.

And the blood remembers what the heart has never learned. The approach to kill. ("The Moon Of Montezuma")

The portieres were drawn across the French windows now, veiling the stars outside - that were there nevertheless. ("Speak To Me Of Death")

She was ready to be a fugitive with him for the rest of her life - 'Whither thou goest, I will go; thy people shall be my people' - and when a Parisienne is ready to leave Paris behind forever, that's something. ("I'm Dangerous Tonight")

There was a pause, while I fought against this other, lesser kind of death that was creeping over me - this death called strangeness, this snapping of all the customary little threads of cause and effect that are our moorings at other times. Slowly they all drew back from me step by step, until I was left there alone, cut off. ("All At Once, No Alice")

The shears found his throat this time. He fell down on top of them and was silent. Something dark like mucilage glistened where he lay. She had jumped back - not in remorse, but to keep the bottom of her skirt clear of his blood. ("I'm Dangerous Tonight")

I got another chestful of air in, tore loose with it. 'Somebody help me! You people standing around looking, isn't there one of you will help me? I brought my wife here last night; now she's gone and they're trying to tell me I never -' ("All At Once, No Alice")

The big weekend rush is on. The big city emptying itself out at once. Just a skeleton crew left to keep it going until Monday morning. Everybody getting out - everybody but me, everybody but those who are coming here for me tonight. We're going to have the whole damned town to ourselves. ("New York Blues")

She opened a small silver compact and looked at her face in its mirror. I am still guiltless, she thought, I have not done it yet. But I will look the same when I have done it; nobody will know the difference by looking at me. She touched the little puff twice to her nose and once to her chin. She closed the compact and put it away. ("Mind Over Murder")

She had said: 'You could not hate anyone that much -' She was mistaken. What did she know? She felt so good right now, this must be hate, what else could it be? ("Mind Over Murder")

No desolation equal to that of the pagan, suddenly bereft. For to the pagan, there is no hereafter.

It was male, of course; menace is always male. ("Nightmare")

Men's loyalty to their women dies hard - and almost always too late. ("I'm Dangerous Tonight")

all a guy can do is die once. The big difference is whether he dies clean - or dirty... ("I'm Dangerous Tonight")

I wasn't that good you know. What I was was a guy who could write a little, publishing in magazines surrounded by people who couldn't write at all. So I looked pretty good. But I never thought I was that good at all. All that I thought was that I tried to tell the truth.