Quotes About Sorrow

We started dying before the snow, and like the snow, we continued to fall.

Sorrow eats time. Be patient. Time eats sorrow.

Sorrow is wisdom, the poet said.

Help me," said the Brown Sister. Her face

What haunted people even, perhaps especially, on their deathbed? What chased them, tortured them and brought some of them to their knees? And [he] thought he had the answer. Regret. Regret for things said, things done, and things not done. Regret for the people they might have been. And failed to be.

Grief was dagger-shaped and sharp and pointed inward. It was made of fresh loss and old sorrow. Rendered and forged and sometimes polished. Irene Finney had taken her daughter's death and to that sorrow she'd added a long life of entitlement and disappointment, of privilege and pride. And the dagger she'd fashioned was taking a brief break from slashing her insides, and was now pointed outward.

The morning after their deaths, Armand had gone into their room. The scent of them, the sense of them, almost too much to bear. The clothing. The book. The bookmark. The bedside clock, still ticking. He'd thought that strange. Surely it should have stopped.

They'd crossed over to that continent where grieving parents lived. It looked the same as the rest of the world, but wasn't. Colors bled pale. Music was just notes. Books no longer transported or comforted, not fully. Never again. Food was nutrition, little more. Breaths were sighs. And they knew something the rest didn't. They knew how lucky the rest of the world was.

struck. Once. And into that blow he put his childhood, his grief, his loss. He put his mother's sorrow and his sister's longing. The menorah, weighed down with that, crushed the Hermit's skull.

though her legs had given way. Loss was like that, Gamache knew. You didn't just lose a loved one. You lost your heart, your memories, your laughter, your brain and it even took your bones. Eventually it all came back,

Armand stood up, still holding Stephen's hand, and said, "It's time. Let him go." Then he sat back down, his legs weak. If this was the right thing to do, why did it feel so wrong? But no, it didn't feel wrong. It felt wretched. Horrific. A nightmare. But sometimes "right" felt like that.

was always human and never pleasant and often misleading. Aid workers, when handing out food to starving people, quickly learn that the people fighting for it at the front are the people who need it least. It's the people sitting quietly at the back, too weak to fight, who need it the most. And so too with tragedy. The people who don't insist on their sorrow can often be the ones who feel it most strongly.

Why were there no words that felt? Words that when you touched them you'd feel what was intended? The chasm left by the loss of Madeleine? The lump in the throat that fizzed and ached. The terror of falling asleep knowing that on waking she'd relive the loss, like Prometheus bound and tormented each day. Everything had changed. Even her grammar. Suddenly she lived in the past tense. And the singular.

Clara rocked back and forth, back and forth, cradling her loss. Earlier in the day she'd felt someone had scooped her heart and her brain right out of her body. Now they were back, but they were broken. Her brain jumped madly about the place, but always back to that one scorched spot.

But the woman he knew and loved had been swallowed up. Like Jonah. Her white whale of sorrow and loss in an ocean of body fluid.

Lying all night, holding Clara, he'd dared to hope that the worst was over. That maybe the grief, while still there, would today allow some of his wife to be present. But the woman he knew and loved had been swallowed up. Like Jonah. Her white whale of sorrow and loss in an ocean of body fluid.

Grief was dagger-shaped and sharp and pointed inward. It was made of fresh loss and old sorrow. Rendered and forged and sometimes polished.

Grief was dagger-shaped and sharp and pointed inward. It was made of fresh loss and old sorrow. Rendered and forged and sometimes polished. Irene

Loss was like that, Gamache knew. You didn't just lose a loved one. You lost your heart, your memories, your laughter, your brain and it even took your bones. Eventually it all came back, but different. Rearranged

Much missed by… Why were there no words that felt? Words that when you touched them you'd feel what was intended? The chasm left by the loss of Madeleine? The lump in the throat that fizzed and ached. The terror of falling asleep knowing that on waking she'd relive the loss, like Prometheus bound and tormented each day. Everything had changed. Even her grammar. Suddenly she lived in the past tense. And the singular.

his large, expressive hands hovering over the tiny circle of blood marring her fluffy cardigan, as though like a magician he could remove the wound and restore the woman. But he could not. That wasn't his gift. Fortunately for Gamache he had others.

I know, I know, I know she's with God," said Robert. "I know she's at peace. But oh God, oh God.

That is perhaps what we seek throughout life, that and nothing more, the greatest possible sorrow so as to become fully ourselves before dying.

When I go away from you The world beats dead Like a slackened drum. I call out for you against the jutted stars And shout into the ridges of the wind. Streets coming fast, One after the other, Wedge you away from me, And the lamps of the city prick my eyes So that I can no longer see your face. Why should I leave you, To wound myself upon the sharp edges of the night?